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'''Galeries Dalmau''' was an [[art gallery]] in [[Barcelona]], [[Spain]], from 1906 to 1930 (also known as Sala Dalmau, Les Galeries Dalmau, Galería Dalmau, and Galeries J. Dalmau). The gallery was founded and managed by the [[Symbolism (arts)|Symbolist]] painter and [[Painting conservation|restorer]] {{Ill|Josep Dalmau i Rafel|ca}}. The aim was to promote, import and export [[avant-garde]] artistic talent. Dalmau is credited for having launched avant-garde art in Spain.<ref name="Antliff, Leighten">Mark Antliff and Patricia Leighten, ''A Cubism Reader, Documents and Criticism, 1906-1914'', University of Chicago Press, 2008, pp. 293–295</ref><ref name="Carol A. Hess">[https://books.google.com/books?id=qrP60BqU634C&pg=PA76&dq=cubisme+en+espana,+galeries+dalmau&hl=en&sa=X&ved=0ahUKEwiRwoagvc3aAhVGQBQKHZDyCekQ6AEIKTAA#v=onepage&q=cubisme%20en%20espana%2C%20galeries%20dalmau&f=false Carol A. Hess, ''Manuel de Falla and Modernism in Spain, 1898-1936''], University of Chicago Press, 2001, p. 76, {{ISBN|0226330389}}</ref>
In 1912, Galeries Dalmau presented the first declared group exhibition of [[Cubism]] worldwide,<ref name="Antliff, Leighten" /><ref>[http://acca.cat/formacions/commemoracio-del-centenari-del-cubisme-a-barcelona-1912-2012/ Commemoració del centenari del cubisme a Barcelona. 1912-2012], Associació Catalana de Crítics d'Art – ACCA</ref> with a controversial showing by [[Jean Metzinger]], [[Albert Gleizes]], [[Juan Gris]], [[Marie Laurencin]] and [[Marcel Duchamp]]. The gallery featured pioneering exhibitions which included [[Fauvism]], [[Orphism (art)|Orphism]], [[De Stijl]], and [[abstract art]] with [[Henri Matisse]], [[Francis Picabia]], and [[Pablo Picasso]], in both collective and solo exhibitions. Dalmau published the [[Dada]]ist review ''[[391 (magazine)|391]]'' created by Picabia,<ref name="Picabia 391">[http://sdrc.lib.uiowa.edu/dada/391/ Francis Picabia, ''391'', several issues available online]</ref><ref name="sas">{{cite book|author1=Peter Brooker|author2=Sascha Bru|author3=Andrew Thacker|author4=Christian Weikop|title=The Oxford Critical and Cultural History of Modernist Magazines: Europe 1880 - 1940|url=https://books.google.com/books?id=bvsfioiQ8k8C&pg=PA398|
Dalmau was the first gallery in Spain to exhibit works by Juan Gris, the first to host solo exhibitions of works by Albert Gleizes, Francis Picabia, [[Joan Miró]], [[Salvador Dalí]] and [[Angel Planells]]. It was also the first gallery to exhibit Vibrationism.<ref name="Faxedas Brujats">[http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0135-faxedas-brujats M. Lluïsa Faxedas Brujats, "Barradas' Vibrationism and its Catalan Context"], RIHA Journal 0135, 15 July 2016</ref>
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====1916: Serge Charchoune, Helene Grunhoff====
The exhibition of [[Serge Charchoune]] and Helene Grunhoff took place 29 April through 14 May 1916.<ref>[http://pandora.girona.cat/viewer.vm?id=2934318&view=dalmau&lang=en Catàleg de l'exposició d'Helene Grunhoff i Serge Charchoune, organitzada a les Galeries Dalmau del carrer Portaferrisa, del 29 d'abril al 14 de maig. Barcelona]</ref> Charchoune attended academies in Moscow before his 1912 arrival in Paris, where he studied Cubism under Jean Metzinger and Le Fauconnier at [[Académie de La Palette]].<ref>[https://books.google.com/books?id=kVNGAQAAIAAJ&q=Serge+Charchoune,+Acad%C3%A9mie+de+La+Palette&dq=Serge+Charchoune,+Acad%C3%A9mie+de+La+Palette&hl=en&sa=X&ved=0ahUKEwjSgOzqlc3aAhVCOBQKHYl2CCUQ6AEIQTAE Daniel Abadie, Patrick Waldberg, ''Serge Charchoune''], Palace Editions, 2006, p. 14</ref><ref>[https://books.google.com/books?id=6tSjDAAAQBAJ&pg=PA163&dq=Serge+Charchoune,+Acad%C3%A9mie+de+La+Palette&hl=en&sa=X&ved=0ahUKEwi5vuGxlM3aAhVrJ8AKHYMoAegQ6AEILDAA#v=onepage&q=Serge%20Charchoune%2C%20Acad%C3%A9mie%20de%20La%20Palette&f=false Michel Sanouillet, ''Dada à Paris''], CNRS Éditions via OpenEdition, 2016 (published in France in 1965), p. 163, {{ISBN|2271091276}}</ref><ref>{{cite web|url=https://rkd.nl/en/explore/artists/Metzinger%2C%20Jean|title=RKD Netherlands Institute for Art History, Jean Metzinger
[[File:Albert Gleizes, 1912-13, Les Joueurs de football (Football Players), oil on canvas, 225.4 x 183 cm, National Gallery of Art.jpg|thumb|[[Albert Gleizes]], 1912-13, ''[[Les Joueurs de football|Les Joueurs de football (Football Players)]]'', oil on canvas, 225.4 x 183 cm, [[National Gallery of Art]], Washington D.C. Galeries Dalmau, 1916]]
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By 1917 the young Joan Miró, appreciably affected by the Cubist works exhibited at Galeries Dalmau, became involved in the gallery efforts, and soon applied his own personal interpretation to the Cubist approach. 16 February through 3 March 1918 Dalmau presented Miró's first solo exhibition, and would later arrange his first Parisian solo exhibition, at Galerie la Licorne in 1921.<ref>[https://www.guggenheim.org/artwork/artist/joan-miro Joan Miró - Guggenheim]</ref><ref name="Joan Miró">[https://upload.wikimedia.org/wikipedia/commons/b/b6/Joan_Mir%C3%B3_a_la_Viquip%C3%A8dia.pdf Joan Miró a la Viquipèdia, Estat de la qüestió el juny de 2016], Biography, Works, Fundació Joan Miró, Premi Joan Miró, Text and image sources</ref><ref>[http://pandora.girona.cat/viewer.vm?id=2934525&view=dalmau&lang=en Joan Miró, Galerie La Licorne, 29 April – 14 May 1921, Paris, exhibition catalogue, Preface by Maurice Raynal]</ref>
The Galeries Dalmau exhibition of Joan Miró was accompanied by a catalogue with a [[calligram]] poem by Josep Maria Junoy. Listed are a total of 64 works: 2 dated 1914; 7 dated 1915; 25 from 1916; and 30 works from 1917.<ref>[http://pandora.girona.cat/viewer.vm?id=2934337&view=dalmau&lang=en Joan Miró exhibition catalogue], 16 February - 3 March 1918, Galeries Dalmau</ref> Reports are that the show was not a success,<ref name="Cabañas Bravo">[https://books.google.com/books?id=g8TBj1nrwd8C&pg=PA91&dq=Exposici%C3%B3n+de+Arte+franc%C3%A9s+de+Vanguardia,+1920,+dalmau&hl=en&sa=X&ved=0ahUKEwj4p8C75sjaAhVFVRQKHSpLA1UQ6AEIKTAA#v=onepage&q=Exposici%C3%B3n%20de%20Arte%20franc%C3%A9s%20de%20Vanguardia%2C%201920%2C%20dalmau&f=false Miguel Cabañas Bravo, ''El arte español del siglo XX: su perspectiva al final del milenio''], Editorial CSIC, 2001, p. 91, {{ISBN|8400079353}}</ref> his work was ridiculed and defaced.<ref>{{cite web
Miró's submissions reflected the influence of French movements, Impressionism, Fauvism, and Cubism, with colors akin to van Gogh and Cézanne (such as ''[[Portrait of Vincent Nubiola]]''),<ref name="Raillard">Georges Raillard, ''Miró'', Debate, Madrid, 1992, pp. 48-54, {{ISBN|84-7444-605-8}}</ref> as well as the influence of van Dongen and Gleizes.<ref name="Joan Miró"/><ref>Rosa Maria Malet, Joan Miró, Edicions 62, Barcelona, 1992, p. 20, {{ISBN|84-297-3568-2}}</ref><ref name="Raillard" /> The reaction among critics was mixed, and Miró only managed to sell one work, a still life of a coffee grinder, which was purchased by Catalan artist {{Ill|Josep Mompou|es}} (who exhibited at Galeries Dalmau in 1908) for 250 pesetas.<ref name="Joan Miró" /><ref>Lluís Permanyer, ''Miró, la vida d'una passió'', [[Edicions de 1984]], Barcelona, 2003, p. 34, {{ISBN|84-96061-08-6}}.</ref>
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To his credit, writes Elisenda Andrés Pàmies, since 1912 Josep Dalmau had been the first and only Catalan dealer to have established relationships with the creators of the diaspora and welcomed them into Les Galleries Dalmau. Picabia's exhibition solidified that continuity.<ref name="Pàmies" />
Dalmau published the first four issues of the [[Dada]]ist review ''[[391 (magazine)|391]]'' (1917-1924) and ''Cinquante-deux miroirs'' (1914-1917) created by Picabia.<ref name="Picabia 391" /><ref name="sas" /><ref name="fundaciotapies" /><ref>{{cite book|author=Aránzazu Ascunce Arenas|title=Barcelona and Madrid: Social Networks of the Avant-Garde|url=https://books.google.com/books?id=QLnlK0xs0mQC&pg=PA116|
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