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{{short description|German musicologist and author|bot=PearBOT 5}}
{{Infobox person
{{Infobox person
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| name = Beatrix Borchard
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| birth_date = {{birth year and age|1950}}
| birth_date = {{birth year and age|1950}}
| birth_place = [[Lingen, Germany]]
| birth_place = [[Lingen, Germany|Lingen]], [[West Germany]] <br> (now Germany)
| death_date =
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'''Beatrix Borchard''' (born 1950) is a German [[musicologist]] and author. The focus of her publications is the life and work of female and male musicians, such as [[Clara Schumann|Clara]] and [[Robert Schumann]], [[Amalie Joachim|Amalie]] and [[Joseph Joachim]], [[Pauline Viardot|Pauline Viardot-Garcia]], [[Adriana Hölszky]]. Among her topics are also the role of music in the process of [[Jewish assimilation]], the history of musical interpretation, and strategies of {{ill|Kulturvermittlung|de}}.
'''Beatrix Borchard''' (born 1950) is a German [[musicologist]] and author. The focus of her publications is the life and work of female and male musicians, such as [[Clara Schumann|Clara]] and [[Robert Schumann]], [[Amalie Joachim|Amalie]] and [[Joseph Joachim]], [[Pauline Viardot|Pauline Viardot-Garcia]], and [[Adriana Hölszky]]. Also among her topics are the role of music in the process of [[Jewish assimilation]], the history of musical interpretation, and strategies of {{ill|Kulturvermittlung|de}}.


== Career ==
== Career ==
Borchard grew up in [[Lingen, Germany]], where she was born. She studied musicology, German studies, and history in [[Bonn]] and Berlin. She wrote her dissertation about [[Clara Wieck]] and [[Robert Schumann]].<ref>''Robert Schumann und Clara Wieck. Bedingungen künstlerischer Arbeit in der 1. Hälfte des 19. Jahrhunderts.'' Beltz, Weinheim / Basel 1985 (Ergebnisse der Frauenforschung, Bd. 4), {{ISBN|3-407-58263-3}} (Hochschulschrift; also [[University of Bremen]], dissertation, 1983); {{ill|Furore Verlag|de}}, Kassel, 2nd edition, {{ISBN|3-927327-06-9}}</ref> In 2000, she wrote her [[habilitation]] about [[Amalie Joachim|Amalie]] and [[Joseph Joachim]].<ref>''Stimme und Geige: [[Amalie Joachim|Amalie]] und [[Joseph Joachim]] - Frau und Mann. Biographie und Interpretationsgeschichte.'' Böhlau Verlag, Wien 2005, 2. Aufl. 2007 (= Wiener Veröffentlichungen zur Musikgeschichte, Band 5), {{ISBN|978-3-205-77629-1}}</ref> She has been the editor of the Viardot-Garcia studies.<ref name="Viardot">[http://www.pauline-viardot.de/publikation.htm ''Viardot-Garcia-Studien''], Bd. 1-6, Georg Olms Verlag Hildesheim · Zürich · New York 2012ff</ref>, and of the online encyclopedia MUGI of the [[Hamburg University]].<ref>''[http://mugi.hfmt-hamburg.de MUGI. Musikvermittlung und Genderforschung: Musikerinnen-Lexikon und multimediale Präsentationen]''</ref> Together with Kerstin Schüssler-Bach, she has been the editor of the Brahms studies of the Brahms Society.<ref>[http://brahms-hamburg.de/studien/ ''Brahms-Studien''] (= Veröffentlichungen der Johannes Brahms Gesellschaft, vol. 16 ff.), Tutzing 2011.</ref>
Borchard was born and grew up in [[Lingen, Germany]]. She studied musicology, German studies, and history in [[University of Bonn|Bonn]] and [[University of Berlin|Berlin]]. She wrote her dissertation about [[Clara Wieck]] and [[Robert Schumann]].<ref>''Robert Schumann und Clara Wieck. Bedingungen künstlerischer Arbeit in der 1. Hälfte des 19. Jahrhunderts.'' Beltz, Weinheim / Basel 1985 (Ergebnisse der Frauenforschung, Bd. 4), {{ISBN|3-407-58263-3}} (Hochschulschrift; also [[University of Bremen]], dissertation, 1983); {{ill|Furore Verlag|de}}, Kassel, 2nd edition, {{ISBN|3-927327-06-9}}</ref> In 2000, she wrote her [[habilitation]] about [[Amalie Joachim|Amalie]] and [[Joseph Joachim]].<ref>''Stimme und Geige: [[Amalie Joachim|Amalie]] und [[Joseph Joachim]] – Frau und Mann. Biographie und Interpretationsgeschichte.'' Böhlau Verlag, Wien 2005, 2. Aufl. 2007 (= Wiener Veröffentlichungen zur Musikgeschichte, Band 5), {{ISBN|978-3-205-77629-1}}</ref> She has been the editor of the Viardot-Garcia studies,<ref name="Viardot">[http://www.pauline-viardot.de/publikation.htm ''Viardot-Garcia-Studien''], Bd. 1–6, Georg Olms Verlag Hildesheim · Zürich · New York 2012ff</ref> and of the online encyclopedia MUGI of [[Hamburg University]].<ref>''[http://mugi.hfmt-hamburg.de MUGI. Musikvermittlung und Genderforschung: Musikerinnen-Lexikon und multimediale Präsentationen] {{Webarchive|url=https://web.archive.org/web/20121104062925/http://mugi.hfmt-hamburg.de/ |date=2012-11-04 }}''</ref> Together with Kerstin Schüssler-Bach she has been the editor of the Brahms studies of the Brahms Society.<ref>[http://brahms-hamburg.de/studien/ ''Brahms-Studien''] (= Veröffentlichungen der Johannes Brahms Gesellschaft, vol. 16 ff.), Tutzing 2011.</ref>


Beatrix Borchard was a lecturer of musicology at the [[Hochschule der Künste Berlin]] for ten years. She has worked for the [[Goethe-Institut]], in Germany and in countries such as China, Portugal and Romania.<ref name="mugi" /> She was professor of musicology of the ''Musikwissenschaftliches Seminar Detmold-Paderborn'' of the [[Paderborn University]] for a short time. In 2002 she was appointed professor of musicology at the [[Hochschule für Musik und Theater Hamburg]].<ref name="mugi">[http://mugi.hfmt-hamburg.de/Borchard/ Beatrix Borchard], Musikhochschule Hamburg 2017</ref> She is head of a project ''Orte und Wege europäischer Kulturvermittlung durch Musik'' (Locations and paths of European cultural exchange by music), which is sponsored by the [[Deutsche Forschungsgemeinschaft]] (|DFG).<ref>[http://mugi.hfmt-hamburg.de/Borchard/forschung.html Beatrix Borchard], Musikhochschule Hamburg 2017</ref>
Beatrix Borchard was a lecturer of musicology at the [[Hochschule der Künste Berlin]] for ten years. She has worked for the [[Goethe-Institut]], in Germany and in countries such as China, Portugal and Romania.<ref name="mugi" /> She was professor of musicology of the ''Musikwissenschaftliches Seminar Detmold-Paderborn'' of the [[Paderborn University]] for a short time. In 2002 she was appointed professor of musicology at the [[Hochschule für Musik und Theater Hamburg]].<ref name="mugi">[http://mugi.hfmt-hamburg.de/Borchard/ Beatrix Borchard], Musikhochschule Hamburg 2017</ref> She is head of a project ''Orte und Wege europäischer Kulturvermittlung durch Musik'' (Locations and paths of European cultural exchange by music), which is sponsored by the [[Deutsche Forschungsgemeinschaft]] (DFG).<ref>[http://mugi.hfmt-hamburg.de/Borchard/forschung.html Beatrix Borchard], Musikhochschule Hamburg 2017</ref>


Beatrix Borchard was the author of several radio features, has been moderator of concerts, and made two films for the [[Norddeutscher Rundfunk|NDR]], one a documentary about Clara Schumann (NDR 1996) and another about ''Hausmusik'' (NDR 1997). She collaborated on other music films. A documentary about the sisters [[Maria Malibran]] and Pauline Viardot, including a biography of the singer [[Pauline Viardot-Garcia]] planned to appear in 2018.<ref name="Viardot"><ref name="mugi" />
Beatrix Borchard was the author of several radio features, has been moderator of concerts, and made two films for the [[Norddeutscher Rundfunk|NDR]], one a documentary about Clara Schumann (NDR 1996) and another about ''Hausmusik'' (NDR 1997). She collaborated on other music films. A documentary about the sisters [[Maria Malibran]] and Pauline Viardot, including a biography of the singer Pauline Viardot, is planned to appear in 2018.<ref name="Viardot" /><ref name="mugi" />


== Work ==
== Work ==


* ''Clara Schumann. Ein Leben.'' Ullstein, Frankfurt/Main - Berlin 1991 (four editions), {{ISBN|3-548-35367-3}}
* ''Clara Schumann. Ein Leben.'' Ullstein, Frankfurt/Main – Berlin 1991 (four editions), {{ISBN|3-548-35367-3}}
* ''Clara Schumann. Ihr Leben. Eine biographische Montage.'' 3rd edition Olms, Hildesheim 2015, {{ISBN|978-3-487-08553-1}}; review<ref>Claudia Niebel: [http://info-netz-musik.bplaced.net/?p=13998 info-netz-musik] 15 August 2015; retrieved 16 August 2015.</ref>
* ''Clara Schumann. Ihr Leben. Eine biographische Montage.'' 3rd edition Olms, Hildesheim 2015, {{ISBN|978-3-487-08553-1}}; review<ref>Claudia Niebel: [http://info-netz-musik.bplaced.net/?p=13998 info-netz-musik] 15 August 2015; retrieved 16 August 2015.</ref>


Borchard was an editor of the following works:
Borchard was an editor of the following works:
* ''[[Adriana Hölszky]].'' ''Klangportraits'' vol. 1, Furore Verlag; Musikfrauen, Berlin 1991
* ''[[Adriana Hölszky]].'' ''Klangportraits'' vol. 1, Furore Verlag; Musikfrauen, Berlin 1991<ref name="Hölszky">[http://mugi.hfmt-hamburg.de/old/A_lexartikel/lexartikel.php?id=hoel1950 Adriana Hölszky] {{Webarchive|url=https://web.archive.org/web/20140813051832/http://mugi.hfmt-hamburg.de/old/A_lexartikel/lexartikel.php?id=hoel1950 |date=2014-08-13 }}, Musikhochschule Hamburg 2017</ref>
* with Monika Schwarz-Danuser: ''Fanny Hensel geb. Mendelssohn Bartholdy. Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik.'' 2nd edition, Furore Verlag, Kassel 2002, {{ISBN|3-927327-54-9}}
* with Monika Schwarz-Danuser: ''Fanny Hensel geb. Mendelssohn Bartholdy. Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik.'' 2nd edition, Furore Verlag, Kassel 2002, {{ISBN|3-927327-54-9}}
* with Cornelia Bartsch and {{ill|Rainer Cadenbach|de}}: ''Der weibliche und der männliche Beethoven'', Bonn 2004, {{ISBN|978-3-88188-080-0}}
* with Cornelia Bartsch and [[Rainer Cadenbach]]: ''Der weibliche und der männliche Beethoven'', Bonn 2004, {{ISBN|978-3-88188-080-0}}
* with Claudia Maurer Zenck: ''Alkestis: Interpretationen'' (= Hamburger Jahrbuch für Musikwissenschaft 2006), Frankfurt/Main 2006, {{ISBN|978-3631561836}}
* with [[Claudia Maurer Zenck]]: ''Alkestis: Interpretationen'' (= Hamburger Jahrbuch für Musikwissenschaft 2006), Frankfurt/Main 2006, {{ISBN|978-3-631-56183-6}}
* with Heidy Zimmermann: ''Musikwelten – Lebenswelten. Jüdische Identitätssuche in der deutschen Musikkultur.'' Böhlau, Köln / Weimar / Wien 2009 (series ''Jüdische Moderne'', volume. 9), {{ISBN|978-3-412-20254-5}}
* with Heidy Zimmermann: ''Musikwelten – Lebenswelten. Jüdische Identitätssuche in der deutschen Musikkultur.'' Böhlau, Köln / Weimar / Wien 2009 (series ''Jüdische Moderne'', volume. 9), {{ISBN|978-3-412-20254-5}}


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{{DEFAULTSORT:Borchard, Beatrix}}
{{DEFAULTSORT:Borchard, Beatrix}}
[[Category:German musicologists]]
[[Category:Musicologists from Berlin]]
[[Category:German women musicologists]]
[[Category:20th-century German musicologists]]
[[Category:German editors]]
[[Category:German editors]]
[[Category:German women editors]]
[[Category:1950 births]]
[[Category:1950 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:People from Lingen]]
[[Category:University of Bonn alumni]]
[[Category:Humboldt University of Berlin alumni]]
[[Category:Academic staff of the Berlin University of the Arts]]
[[Category:Academic staff of the Hochschule für Musik und Theater Hamburg]]

Latest revision as of 21:33, 19 May 2023

Beatrix Borchard
Born1950 (age 73–74)
Lingen, West Germany
(now Germany)
OccupationMusicologist
Organizations

Beatrix Borchard (born 1950) is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung [de].

Career

[edit]

Borchard was born and grew up in Lingen, Germany. She studied musicology, German studies, and history in Bonn and Berlin. She wrote her dissertation about Clara Wieck and Robert Schumann.[1] In 2000, she wrote her habilitation about Amalie and Joseph Joachim.[2] She has been the editor of the Viardot-Garcia studies,[3] and of the online encyclopedia MUGI of Hamburg University.[4] Together with Kerstin Schüssler-Bach she has been the editor of the Brahms studies of the Brahms Society.[5]

Beatrix Borchard was a lecturer of musicology at the Hochschule der Künste Berlin for ten years. She has worked for the Goethe-Institut, in Germany and in countries such as China, Portugal and Romania.[6] She was professor of musicology of the Musikwissenschaftliches Seminar Detmold-Paderborn of the Paderborn University for a short time. In 2002 she was appointed professor of musicology at the Hochschule für Musik und Theater Hamburg.[6] She is head of a project Orte und Wege europäischer Kulturvermittlung durch Musik (Locations and paths of European cultural exchange by music), which is sponsored by the Deutsche Forschungsgemeinschaft (DFG).[7]

Beatrix Borchard was the author of several radio features, has been moderator of concerts, and made two films for the NDR, one a documentary about Clara Schumann (NDR 1996) and another about Hausmusik (NDR 1997). She collaborated on other music films. A documentary about the sisters Maria Malibran and Pauline Viardot, including a biography of the singer Pauline Viardot, is planned to appear in 2018.[3][6]

Work

[edit]
  • Clara Schumann. Ein Leben. Ullstein, Frankfurt/Main – Berlin 1991 (four editions), ISBN 3-548-35367-3
  • Clara Schumann. Ihr Leben. Eine biographische Montage. 3rd edition Olms, Hildesheim 2015, ISBN 978-3-487-08553-1; review[8]

Borchard was an editor of the following works:

  • Adriana Hölszky. Klangportraits vol. 1, Furore Verlag; Musikfrauen, Berlin 1991[9]
  • with Monika Schwarz-Danuser: Fanny Hensel geb. Mendelssohn Bartholdy. Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. 2nd edition, Furore Verlag, Kassel 2002, ISBN 3-927327-54-9
  • with Cornelia Bartsch and Rainer Cadenbach: Der weibliche und der männliche Beethoven, Bonn 2004, ISBN 978-3-88188-080-0
  • with Claudia Maurer Zenck: Alkestis: Interpretationen (= Hamburger Jahrbuch für Musikwissenschaft 2006), Frankfurt/Main 2006, ISBN 978-3-631-56183-6
  • with Heidy Zimmermann: Musikwelten – Lebenswelten. Jüdische Identitätssuche in der deutschen Musikkultur. Böhlau, Köln / Weimar / Wien 2009 (series Jüdische Moderne, volume. 9), ISBN 978-3-412-20254-5

References

[edit]
  1. ^ Robert Schumann und Clara Wieck. Bedingungen künstlerischer Arbeit in der 1. Hälfte des 19. Jahrhunderts. Beltz, Weinheim / Basel 1985 (Ergebnisse der Frauenforschung, Bd. 4), ISBN 3-407-58263-3 (Hochschulschrift; also University of Bremen, dissertation, 1983); Furore Verlag [de], Kassel, 2nd edition, ISBN 3-927327-06-9
  2. ^ Stimme und Geige: Amalie und Joseph Joachim – Frau und Mann. Biographie und Interpretationsgeschichte. Böhlau Verlag, Wien 2005, 2. Aufl. 2007 (= Wiener Veröffentlichungen zur Musikgeschichte, Band 5), ISBN 978-3-205-77629-1
  3. ^ a b Viardot-Garcia-Studien, Bd. 1–6, Georg Olms Verlag Hildesheim · Zürich · New York 2012ff
  4. ^ MUGI. Musikvermittlung und Genderforschung: Musikerinnen-Lexikon und multimediale Präsentationen Archived 2012-11-04 at the Wayback Machine
  5. ^ Brahms-Studien (= Veröffentlichungen der Johannes Brahms Gesellschaft, vol. 16 ff.), Tutzing 2011.
  6. ^ a b c Beatrix Borchard, Musikhochschule Hamburg 2017
  7. ^ Beatrix Borchard, Musikhochschule Hamburg 2017
  8. ^ Claudia Niebel: info-netz-musik 15 August 2015; retrieved 16 August 2015.
  9. ^ Adriana Hölszky Archived 2014-08-13 at the Wayback Machine, Musikhochschule Hamburg 2017
[edit]
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