Jump to content

Gabriella Besanzoni: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
mNo edit summary
Tags: Visual edit Mobile edit Mobile web edit
+requested infobox
 
(9 intermediate revisions by 6 users not shown)
Line 1: Line 1:
{{short description|Italian opera singer}}
{{short description|Italian opera singer}}
{{Infobox musical artist

| background = person
⚫
[[File:Gabriella Besanzoni in 1919 in chair.jpg|thumb|Gabriella Besanzoni in 1919 in chair]]
| image = Gabriella Besanzoni in 1919 in chair.jpg
⚫
'''Gabriella Besanzoni''' (September 20, 1888 – July 8, 1962) was an Italian opera singer ([[mezzo-soprano]] and [[contralto]]).
| image_upright =
| image_size =
| landscape = <!-- yes, if wide image, otherwise leave blank -->
| alt =
⚫
| caption = Gabriella Besanzoni in 1919 in chair
| birth_date = {{Birth date|1888|09|20|df=y}}
| birth_place = [[Rome]], Italy
| death_date = {{Death date and age|1962|07|08|1888|09|20|df=y}}
| occupation = Opera singer
| years_active = 1911–1939
| label = [[Victor Talking Machine Company|Victor]]
| spouse = {{marriage|Henrique Lage|1925|1941|end=died}} {{marriage||1956}}
}}
⚫
'''Gabriella Besanzoni''' (20 September 1888 – 8 July 1962) was an Italian opera singer ([[mezzo-soprano]] and [[contralto]]).


==Early life==
==Early life==
Gabriella Besanzoni was born in [[Rome]] and studied at the [[Accademia Nazionale di Santa Cecilia]].<ref name="Connell">Richard P. Connell, [http://www.arkivmusic.com/classical/linerNotes.jsp?album=79325 Liner Notes], ''Jose Mojica - Tenor; Gabriella Besanzoni - Alto'', ArkivMusic.</ref>
Gabriella Besanzoni was born in [[Rome]] and studied at the [[Accademia Nazionale di Santa Cecilia]].<ref>{{Cite web |title=Gabriella Besanzoni |url=https://www.discogs.com/artist/2893513-Gabriella-Besanzoni |access-date=2023-09-13 |website=Discogs |language=en}}</ref>

==Career==
==Career==
Besanzoni had her debut at [[Viterbo]] in 1911. From 1918 she was a star of the [[Teatro Colón]] of [[Buenos Aires]], with regular appearances in other South American cities, especially [[Rio de Janeiro]]. Her debut in the [[United States]] happened in 1919, when she sang Amneris in ''[[Aida (opera)|Aida]]'' with [[Claudia Muzio]], [[Giovanni Martinelli]], and [[Renato Zanelli]]. That same season, she starred with [[Enrico Caruso]] in productions of ''[[Samson et Dalila]]'' and ''[[La Forza del Destino]]'' at the [[Metropolitan Opera]].<ref>[https://books.google.com/books?id=gNtFAQAAMAAJ&lpg=RA5-PA10&ots=VuO_AH1sND&dq=Gabriella%20Besanzoni&pg=RA7-PA4#v=onepage&q=Gabriella%20Besanzoni&f=false "Samson and Dalila"] ''Musical America'' (December 20, 1919): 4.</ref> The pair were appearing together in ''Aida'' in [[Havana]] in 1920 when a bomb exploded in the auditorium during the second act of the final performance.<ref name="Connell" />
Besanzoni had her debut at [[Viterbo]] in 1911. From 1918 she was a star of the [[Teatro Colón]] of [[Buenos Aires]], with regular appearances in other South American cities, especially [[Rio de Janeiro]]. Her debut in the [[United States]] happened in 1919, when she sang Amneris in ''[[Aida (opera)|Aida]]'' with [[Claudia Muzio]], [[Giovanni Martinelli]], and [[Renato Zanelli]]. That same season, she starred with [[Enrico Caruso]] in productions of ''[[Samson et Dalila]]'' and ''[[La Forza del Destino]]'' at the [[Metropolitan Opera]].<ref>[https://books.google.com/books?id=gNtFAQAAMAAJ&dq=Gabriella+Besanzoni&pg=RA7-PA4 "Samson and Dalila"] ''Musical America'' (20 December 1919): 4.</ref> The pair were appearing together in ''Aida'' in [[Havana]] in 1920 when a bomb exploded in the auditorium during the second act of the final performance.<ref name="Connell">Richard P. Connell, [http://www.arkivmusic.com/classical/linerNotes.jsp?album=79325 Liner Notes] {{Webarchive|url=https://web.archive.org/web/20210123055136/http://www.arkivmusic.com/classical/linerNotes.jsp?album=79325|date=2021-01-23}}, ''Jose Mojica - Tenor; Gabriella Besanzoni - Alto'', ArkivMusic.</ref>


She left the Teatro Colón in 1935, and held her farewell concert in Rome in 1939, singing ''[[Carmen (opera)|Carmen]]'' at the [[Baths of Caracalla]]. She made several recordings for [[Victor Talking Machine Company|Victor]],<ref>[http://adp.library.ucsb.edu/index.php/talent/detail/28082/Besanzoni_Gabriella_vocalist_contralto "Gabriella Besanzoni (vocalist: contralto)"] ''Discography of American Historical Recordings'' (UC Santa Barbara Library).</ref> and appeared in one Italian silent film, ''Stefania'' (1916). She taught young singers in [[Brazil]] during her marriage, and also taught voice in Rome in her later years.
She left the Teatro Colón in 1935, and held her farewell concert in Rome in 1939, singing ''[[Carmen (opera)|Carmen]]'' at the [[Baths of Caracalla]]. She made several recordings for [[Victor Talking Machine Company|Victor]],<ref>[http://adp.library.ucsb.edu/index.php/talent/detail/28082/Besanzoni_Gabriella_vocalist_contralto "Gabriella Besanzoni (vocalist: contralto)"] ''Discography of American Historical Recordings'' (UC Santa Barbara Library). Accessed 29 November 2022.</ref> and appeared in one Italian silent film, ''Stefania'' (1916). She taught young singers in [[Brazil]] during her marriage, and also taught voice in Rome in her later years.


Tenor [[Giacomo Lauri Volpi]] mentioned her in his ''Voci parallele'' as one of the only three real [[contralto]]s he had chanced to meet throughout his career (the others being [[Margaret Matzenauer]] and Matilde Blanco Sadun).<ref>Cited {{in lang|it}} in [[Rodolfo Celletti|Celletti, Rodolfo]], ''La grana della voce. Opere, direttori e cantanti'' (2nd edition), Rome, Baldini & Castoldi, 2000, p. 245, {{ISBN|88-80-89-781-0}}</ref>
Tenor [[Giacomo Lauri Volpi]] mentioned her in his ''Voci parallele'' as one of the only three real [[contralto]]s he had chanced to meet throughout his career (the others being [[Margaret Matzenauer]] and Matilde Blanco Sadun).<ref>Cited {{in lang|it}} in [[Rodolfo Celletti|Celletti, Rodolfo]], ''La grana della voce. Opere, direttori e cantanti'' (2nd edition), Rome, Baldini & Castoldi, 2000, p. 245; {{ISBN|88-80-89-781-0}}</ref>


==Personal life==
==Personal life==
⚫
[[File:ParqueLage-CCBY.jpg|thumb|Parque Lage, formerly the residence of Besanzoni in Rio de Janeiro]] Besanzoni and pianist [[Arthur Rubinstein]] were romantically involved in 1918 when both were working in Madrid, Buenos Aires, and New York.<ref>Harvey Sachs, ''Rubinstein: A Life'' (Grove Press 1995): 170-172; {{ISBN|9780802115799}}</ref> Besanzoni married Brazilian industrialist Henrique Lage in 1925. The couple lived in Rio de Janeiro; their grand home and gardens are now known as [[Parque Lage]], a public park. Besanzoni was widowed in 1941; she married again in 1956, and she died in Italy in 1962, aged 73.<ref>[https://www.newspapers.com/clip/14866949/gabriella_besanzoni_died_july_8_1962/ "Gabriella Besanzoni"] ''The News-Messenger'' (10 July 1962): 2. via [[Newspapers.com]]{{open access}}</ref> She was buried in one of her ''Carmen'' costumes.<ref>Victoria Etnier Villamil, [https://books.google.com/books?id=oW0pDwAAQBAJ&dq=Gabriella+Besanzoni&pg=PT107 ''"O ma Carmen": Bizet's Fateful Gypsy in Portrayals from 1875 to the Present''] (McFarland 2017): 97; {{ISBN|9781476663241}}</ref>
[[File:ParqueLage-CCBY.jpg|thumb|Parque Lage, formerly the residence of Gabriella Besanzoni in Rio de Janeiro]]
⚫
Gabriella Besanzoni and pianist [[Arthur Rubinstein]] were romantically involved in 1918 when both were working in Madrid, Buenos Aires, and New York.<ref>Harvey Sachs, ''Rubinstein: A Life'' (Grove Press 1995): 170-172. {{ISBN|9780802115799}}</ref> Besanzoni married Brazilian industrialist Henrique Lage in 1925. The couple lived in Rio de Janeiro; their grand home and gardens are now known as [[Parque Lage]], a public park. Besanzoni was widowed in 1941; she married again in 1956, and she died in Italy in 1962, aged 74 years.<ref>[https://www.newspapers.com/clip/14866949/gabriella_besanzoni_died_july_8_1962/ "Gabriella Besanzoni"] ''The News-Messenger'' (July 10, 1962): 2. via [[Newspapers.com]]{{open access}}</ref> She was buried in one of her ''Carmen'' costumes.<ref>Victoria Etnier Villamil, [https://books.google.com/books?id=oW0pDwAAQBAJ&lpg=PT106&ots=WHj6kS4I6v&dq=Gabriella%20Besanzoni&pg=PT107#v=onepage&q=Gabriella%20Besanzoni&f=false ''"O ma Carmen": Bizet's Fateful Gypsy in Portrayals from 1875 to the Present''] (McFarland 2017): 97. {{ISBN|9781476663241}}</ref>


==References==
==References==
Line 32: Line 45:
[[Category:1962 deaths]]
[[Category:1962 deaths]]
[[Category:20th-century Italian women opera singers]]
[[Category:20th-century Italian women opera singers]]
[[Category:Accademia Nazionale di Santa Cecilia alumni]]

Latest revision as of 18:09, 2 July 2024

Gabriella Besanzoni
Gabriella Besanzoni in 1919 in chair
Background information
Born(1888-09-20)20 September 1888
Rome, Italy
Died8 July 1962(1962-07-08) (aged 73)
OccupationOpera singer
Years active1911–1939
LabelsVictor
Spouse
Henrique Lage
​
​
(m. 1925; died 1941)​
​
​
(m. 1956)​

Gabriella Besanzoni (20 September 1888 – 8 July 1962) was an Italian opera singer (mezzo-soprano and contralto).

Early life

[edit]

Gabriella Besanzoni was born in Rome and studied at the Accademia Nazionale di Santa Cecilia.[1]

Career

[edit]

Besanzoni had her debut at Viterbo in 1911. From 1918 she was a star of the Teatro Colón of Buenos Aires, with regular appearances in other South American cities, especially Rio de Janeiro. Her debut in the United States happened in 1919, when she sang Amneris in Aida with Claudia Muzio, Giovanni Martinelli, and Renato Zanelli. That same season, she starred with Enrico Caruso in productions of Samson et Dalila and La Forza del Destino at the Metropolitan Opera.[2] The pair were appearing together in Aida in Havana in 1920 when a bomb exploded in the auditorium during the second act of the final performance.[3]

She left the Teatro Colón in 1935, and held her farewell concert in Rome in 1939, singing Carmen at the Baths of Caracalla. She made several recordings for Victor,[4] and appeared in one Italian silent film, Stefania (1916). She taught young singers in Brazil during her marriage, and also taught voice in Rome in her later years.

Tenor Giacomo Lauri Volpi mentioned her in his Voci parallele as one of the only three real contraltos he had chanced to meet throughout his career (the others being Margaret Matzenauer and Matilde Blanco Sadun).[5]

Personal life

[edit]
Parque Lage, formerly the residence of Besanzoni in Rio de Janeiro

Besanzoni and pianist Arthur Rubinstein were romantically involved in 1918 when both were working in Madrid, Buenos Aires, and New York.[6] Besanzoni married Brazilian industrialist Henrique Lage in 1925. The couple lived in Rio de Janeiro; their grand home and gardens are now known as Parque Lage, a public park. Besanzoni was widowed in 1941; she married again in 1956, and she died in Italy in 1962, aged 73.[7] She was buried in one of her Carmen costumes.[8]

References

[edit]
  1. ^ "Gabriella Besanzoni". Discogs. Retrieved 2023-09-13.
  2. ^ "Samson and Dalila" Musical America (20 December 1919): 4.
  3. ^ Richard P. Connell, Liner Notes Archived 2021-01-23 at the Wayback Machine, Jose Mojica - Tenor; Gabriella Besanzoni - Alto, ArkivMusic.
  4. ^ "Gabriella Besanzoni (vocalist: contralto)" Discography of American Historical Recordings (UC Santa Barbara Library). Accessed 29 November 2022.
  5. ^ Cited (in Italian) in Celletti, Rodolfo, La grana della voce. Opere, direttori e cantanti (2nd edition), Rome, Baldini & Castoldi, 2000, p. 245; ISBN 88-80-89-781-0
  6. ^ Harvey Sachs, Rubinstein: A Life (Grove Press 1995): 170-172; ISBN 9780802115799
  7. ^ "Gabriella Besanzoni" The News-Messenger (10 July 1962): 2. via Newspapers.comOpen access icon
  8. ^ Victoria Etnier Villamil, "O ma Carmen": Bizet's Fateful Gypsy in Portrayals from 1875 to the Present (McFarland 2017): 97; ISBN 9781476663241
[edit]
Wikimedia Commons has media related to Gabriella Besanzoni.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gabriella_Besanzoni&oldid=1232238802"