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{{Short description|American graffiti artist}}
{{BLP sources|date=April 2019}}{{Infobox artist
{{BLP sources|date=April 2019}}{{Infobox artist
|name = SJK 171
| name = SJK 171
| honorific_suffix = [[United Graffiti Artists|UGA]]
|image= File:SJK171 3.png
| image = Steve sjk171 25.jpg
|imagesize=
| imagesize =
|caption= SJK 171 (Steve Kesoglides) in the early 1970s
| caption = Portrait of Kesoglides standing by his SJK 171 [[Tag (graffiti)|tag]], 1972
|birth_name = Steve Kesoglides
| birth_name = Steve Kesoglides
|birth_date =
| birth_date = c.1957<ref>{{cite news |title=Graffiti |url=https://www.newspapers.com/clip/113609808/democrat-and-chronicle/ |access-date=25 November 2022 |work=Democrat and Chronicle |date=7 November 2016}}</ref>
|birth_place = [[Washington Heights, Manhattan|Washington Heights, New York City]]
| birth_place = [[Washington Heights, Manhattan|Washington Heights, New York City]]
|death_date =
| field = [[Public art]]<br />[[Graffiti]]<br />[[Painting]]<br />[[Street art]]
|death_place =
| education = [[High School of Art and Design]]
|nationality = [[United States|American]]
| movement = [[Graffiti]]
|spouse =
| works =
|field = [[Public art]]<br />[[Graffiti]]<br />[[Painting]]<br />[[Street art]]
| known_for = Pioneering the use of [[Arrow (symbol)|arrows]] in graffiti
|training =
| website = {{URL|sjk171.com/}}
|movement =
|works =
|patrons =
|awards =
| website = {{URL|sjk171.net}}
}}
}}
'''SJK 171''' (aka '''Steve the Greek'''), born '''Steve Kesoglides''', is a New York City [[graffiti|graffiti artist]] who was active during the late 1960s and 1970s.<ref>{{Cite web|url=https://observer.com/2018/05/shepard-fairey-chris-pape-and-darryl-mccray-on-how-graffiti-changed/|title=Street Art Originals Cornbread, Shepard Fairey and More on Graffiti’s Radical Change|date=2018-05-22|website=Observer|language=en|access-date=2020-01-02}}</ref> A native of [[Washington Heights, Manhattan|Washington Heights]], he was a founding member of [[United Graffiti Artists]], one of the first professional graffiti collectives.<ref>{{cite web|url=https://www.laweekly.com/beyond-the-streets-harkens-to-graffitis-roots-in-diversity|title="Beyond The Streets" Harkens To Graffiti's Roots In Diversity|last=Riefe|first=Jordan|website=[[LA Weekly]]|language=en|date=June 21, 2018|access-date=2020-01-09}}</ref> Some sources have recognized him as a graffiti pioneer<ref name="Celebrating Street Art in a Chinatown Warehouse" /><ref name="From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists" /> and also for originating the "squiggly lines" style of outlining graffiti.<ref name="Wall Writers Graffiti In Its Innocence" />{{Better source|date=April 2019}}
'''SJK 171''', {{aka}} '''Steve the Greek''' (born c.1957) is a New York City [[graffiti|graffiti artist]] who was active during the late 1960s and 1970s.<ref>{{Cite web|url=https://observer.com/2018/05/shepard-fairey-chris-pape-and-darryl-mccray-on-how-graffiti-changed/|title=Street Art Originals Cornbread, Shepard Fairey and More on Graffiti's Radical Change|date=2018-05-22|website=Observer|language=en|access-date=2020-01-02}}</ref> A native of [[Washington Heights, Manhattan|Washington Heights]], he was a founding member of [[United Graffiti Artists]], one of the first professional graffiti collectives.<ref>{{cite web|url=https://www.laweekly.com/beyond-the-streets-harkens-to-graffitis-roots-in-diversity|title="Beyond The Streets" Harkens To Graffiti's Roots In Diversity|last=Riefe|first=Jordan|website=[[LA Weekly]]|language=en|date=June 21, 2018|access-date=2020-01-09}}</ref>


== History ==
== History ==
SJK 171 attended the [[High School of Art and Design]] along with a number of other early graffiti artists, and began writing in 1968 under the name SJK 171. His work was the first triple outline, large colorful letters to appear on the 1 Line of the New York City Transit System.{{Citation needed|date=April 2019}} In early 1971, he began to use the "swiggly radiant energy lines" later popularized by [[Keith Haring]].<ref name="Wall Writers Graffiti In Its Innocence">{{cite book|first=Roger|last=Gastman|year=2015|title=Wall Writers Graffiti In Its Innocence|edition=1st|publisher=Gingko Press Inc.|location=Berkeley, California|page=121,122, 137,141,142|isbn=978-1-58423-601-6}}</ref> SJK 171 is also credited with pioneering the use of arrows in [[graffiti]] writing around this same time.<ref name="Wall Writers Graffiti In Its Innocence" /> In 1973, SJK 171 was featured in a ''[[New York Magazine]]'' essay on graffiti art by [[Richard Goldstein (writer born 1944)|Richard Goldstein]].<ref>{{cite magazine|last=Goldstein|first=Richard|date=26 March 1973|title=This Thing Has Gotten Completely Out Of Hand|magazine=New York Magazine|location=New York City|publisher=New York Magazine|access-date=}}</ref>
SJK 171 attended the [[High School of Art and Design]] along with a number of other early graffiti artists,<ref name="SAMO©...SINCE 1978: SAMO©...Writings: 1978-2018">{{cite book |last=Diaz|first=Al|date=2018|title=SAMO©...SINCE 1978: SAMO©...Writings: 1978-2018|publisher=Irie Books|page=201|isbn=978-1515417194}}</ref> including [[Tracy 168]] and [[Al Diaz (artist)|Al Diaz]], co-creator of [[SAMO]], and began writing in 1968 under the name SJK 171. His work was the first triple outline, large colorful letters to appear on the [[1 (New York City Subway service)|1 Line]] of the New York City Transit System.{{Citation needed|date=April 2019}} Some sources have recognized him as a graffiti pioneer<ref name="Celebrating Street Art in a Chinatown Warehouse" /><ref name="From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists" /> and also for originating the "squiggly lines" style of outlining graffiti.<ref name="Wall Writers Graffiti In Its Innocence" />{{Better source needed|date=April 2019}}


In early 1971, he began to use the "swiggly radiant energy lines" later popularized by [[Keith Haring]].<ref name="Wall Writers Graffiti In Its Innocence">{{cite book|first=Roger|last=Gastman|year=2015|title=Wall Writers Graffiti In Its Innocence|edition=1st|publisher=Gingko Press Inc.|location=Berkeley, California|page=121,122, 137,141,142|isbn=978-1-58423-601-6}}</ref> SJK 171 is also credited with pioneering the use of [[Arrow (symbol)|arrows]] in [[graffiti]] writing around this same time.<ref name="Wall Writers Graffiti In Its Innocence"/> In 1972, he was hired by the [[Joffrey Ballet]] to paint his designs, live, in the stage production of [[Twyla Tharp]]'s ballet [[Deuce Coupe]], along with other graffiti artists, including [[Stay High 149]].<ref name="Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance">{{cite book|first=Marcia|last=Siegel|year=2020|title=Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance|edition=1st|publisher=University Press of Florida|page=77|isbn=9780813068145|url=https://books.google.com/books?id=XG5xDAfa0FcC}}</ref>
=== Gallery and show appearances ===
'''1972:''' The first canvas created by the [[United Graffiti Artists]] collective, United Graffiti Artists "No. 1", included contributions from SJK 171.{{Citation needed|date=April 2019}}


In 1973, SJK 171 was featured in a ''[[New York Magazine]]'' essay on graffiti art by [[Richard Goldstein (writer born 1944)|Richard Goldstein]].<ref>{{cite magazine|last=Goldstein|first=Richard|date=26 March 1973|title=This Thing Has Gotten Completely Out Of Hand|magazine=New York Magazine|location=New York City}}</ref>
'''1973:''' A collaborative mural bearing SJK 171's tag, along with those of [[PHASE 2]] and a dozen other early graffiti artists, was the main attraction at a gallery show of graffiti art at Razor Gallery in [[SoHo, Manhattan|SoHo]].<ref name="Graffiti Goes Legit—But the ‘Show‐Off Ebullience’ Remains">{{cite web|url=https://www.nytimes.com/1973/09/16/archives/graffiti-goes-legitbut-the-showoff-ebullience-remains.html|title=Graffiti Goes Legit—But the ‘Show‐Off Ebullience’ Remains|last=Schjeldahl|first=Peter|website=[[The New York Times]]|language=en|date=September 16, 1973|access-date=2020-01-05}}</ref> SJK 171 was also one of several graffiti writers featured in the backdrop design for the Joffery Ballet's production of ''Deuce Coupe''.<ref>{{Cite book|url=https://books.google.com/?id=7DFtXZCjbpkC&pg=PA77&dq=%22sjk+171%22+joffrey+ballet#v=onepage&q=%22sjk%20171%22%20joffrey%20ballet&f=false|title=Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance|last=Siegel|first=Marcia B.|date=2007-04-01|publisher=Macmillan|isbn=978-1-4299-0877-1|location=|pages=77|language=en}}</ref>


=== Gallery and show appearances ===
'''2011:''' SJK 171 was one of the artists featured in a collaborative canvas in the [[Museum of Contemporary Art, Los Angeles|Los Angeles Museum of Contemporary Art]], curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman, and Aaron Rose.{{Citation needed|date=April 2019}}
'''1973:''' A collaborative mural bearing SJK 171's tag, along with those of [[PHASE 2]] and a dozen other early graffiti artists, was the main attraction at a gallery show of graffiti art at Razor Gallery in [[SoHo, Manhattan|SoHo]].<ref name="Graffiti Goes Legit—But the ‘Show‐Off Ebullience’ Remains">{{cite web|url=https://www.nytimes.com/1973/09/16/archives/graffiti-goes-legitbut-the-showoff-ebullience-remains.html|title=Graffiti Goes Legit—But the 'Show-Off Ebullience' Remains|last=Schjeldahl|first=Peter|website=[[The New York Times]]|language=en|date=September 16, 1973|access-date=2020-01-05}}</ref> SJK 171 was also one of several graffiti writers featured in the backdrop design for the Joffery Ballet's production of ''Deuce Coupe''.<ref>{{Cite book|url=https://books.google.com/books?id=7DFtXZCjbpkC&dq=%22sjk+171%22+joffrey+ballet&pg=PA77|title=Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance|last=Siegel|first=Marcia B.|date=2007-04-01|publisher=Macmillan|isbn=978-1-4299-0877-1|pages=77|language=en}}</ref>


'''2014:''' SJK 171's work is included in the permanent collection of [[Museum of the City of New York|The Museum of the City of New York]].<ref>{{Cite book|title=City as canvas : New York City graffiti from the Martin Wong collection|others=Wong, Martin,, Corcoran, Sean, 1974-, McCormick, Carlo,, Museum of the City of New York|isbn=978-0-8478-3986-5|location=New York, NY|oclc=857194047|last1 = Corcoran|first1 = Sean|last2 = McCormick|first2 = Carlo|year = 2013}}</ref>
'''2014:''' SJK 171's work is included in the permanent collection of [[Museum of the City of New York|The Museum of the City of New York]].<ref>{{Cite book|title=City as canvas : New York City graffiti from the Martin Wong collection|others=Wong, Martin,, Corcoran, Sean, 1974-, McCormick, Carlo,, Museum of the City of New York|isbn=978-0-8478-3986-5|location=New York, NY|oclc=857194047|last1 = Corcoran|first1 = Sean|last2 = McCormick|first2 = Carlo|year = 2013}}</ref>


'''2018-2019:''' SJK 171 was included in "Beyond the Streets", a street art exhibition displayed in Los Angeles and New York.<ref name="Celebrating Street Art in a Chinatown Warehouse">{{Cite web|url=http://www.ladowntownnews.com/arts_and_entertainment/celebrating-street-art-in-a-chinatown-warehouse/article_43b3597a-5ded-11e8-930e-c3bd9c40acd7.html|title=Celebrating Street Art in a Chinatown Warehouse|last=Thomas|first=Sean P.|website=Los Angeles Downtown News - The Voice of Downtown Los Angeles|language=en|access-date=2019-12-29}}</ref><ref>{{cite web|url=https://nypost.com/2019/06/21/how-spray-paint-ego-and-activism-turned-graffiti-into-an-art-form|title=How spray paint, ego and activism turned graffiti into an art form|author=Raquel Laneri|date=June 21, 2019|publisher=[[New York Post]]|accessdate=December 29, 2019}}</ref><ref name="From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists">{{cite web|url=https://www.surfacemag.com/articles/beyond-the-streets-exhibition-brooklyn-best-graffiti-artists|title=From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists|author=Barry Samaha & Chloe Kantor|date=June 21, 2019|publisher=[[Surface (magazine)|Surface]]|accessdate=January 5, 2020}}</ref>
'''2018-2019:''' SJK 171 was included in "Beyond the Streets", a street art exhibition displayed in Los Angeles and New York.<ref name="Celebrating Street Art in a Chinatown Warehouse">{{Cite web|url=http://www.ladowntownnews.com/arts_and_entertainment/celebrating-street-art-in-a-chinatown-warehouse/article_43b3597a-5ded-11e8-930e-c3bd9c40acd7.html|title=Celebrating Street Art in a Chinatown Warehouse|last=Thomas|first=Sean P.|website=Los Angeles Downtown News - The Voice of Downtown Los Angeles|language=en|access-date=2019-12-29}}</ref><ref name="From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists">{{cite web|url=https://www.surfacemag.com/articles/beyond-the-streets-exhibition-brooklyn-best-graffiti-artists|title=From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists|author=Barry Samaha & Chloe Kantor|date=June 21, 2019|publisher=[[Surface (magazine)|Surface]]|accessdate=January 5, 2020}}</ref>

== Films & documentaries ==

'''2016:''' Wall Writers, a documentary produced by Roger Gastman, showcases various graffiti artists from the late 60s and early 70s, including SJK 171.<ref>{{Cite web|url=https://wallwritersthemovie.com/|title=Wall Writers|website=Wall Writers|language=en-US|access-date=2019-04-26}}</ref>

'''2018:''' Work by SJK 171 and MIKE 171 was featured in the "Ride/2 Da House" Medley Official Music Video.<ref>{{Cite web|url=https://blendednyc.com/music/2018/3/20/dj-sanity-brings-music-and-art-back-to-the-east-coast-with-new-medley-visual|title=DJ SANiTY Brings Music and Art Back to the East Coast With New Medley Visual|website=BLENDED|language=en-US|access-date=2019-04-26}}</ref>


== References ==
== References ==
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{{Street Art}}
{{Street Art}}


{{authority control}}
{{Authority control}}


{{DEFAULTSORT:SJK 171}}
[[Category:Street art]]
[[Category:Graffiti and unauthorised signage]]
[[Category:Photographers from New York City]]
[[Category:Photographers from New York City]]
[[Category:American graffiti artists]]
[[Category:American graffiti artists]]
[[Category:People from Washington Heights, Manhattan]]
[[Category:People from Washington Heights, Manhattan]]
[[Category:Year of birth uncertain]]
[[Category:Living people]]
[[Category:Year of birth missing (living people)]]

Latest revision as of 19:49, 5 September 2024

SJK 171
Portrait of Kesoglides standing by his SJK 171 tag, 1972
Born
Steve Kesoglides

c.1957[1]
EducationHigh School of Art and Design
Known forPublic art
Graffiti
Painting
Street art
MovementGraffiti
Websitesjk171.com

SJK 171, a.k.a. Steve the Greek (born c.1957) is a New York City graffiti artist who was active during the late 1960s and 1970s.[2] A native of Washington Heights, he was a founding member of United Graffiti Artists, one of the first professional graffiti collectives.[3]

History

[edit]

SJK 171 attended the High School of Art and Design along with a number of other early graffiti artists,[4] including Tracy 168 and Al Diaz, co-creator of SAMO, and began writing in 1968 under the name SJK 171. His work was the first triple outline, large colorful letters to appear on the 1 Line of the New York City Transit System.[citation needed] Some sources have recognized him as a graffiti pioneer[5][6] and also for originating the "squiggly lines" style of outlining graffiti.[7][better source needed]

In early 1971, he began to use the "swiggly radiant energy lines" later popularized by Keith Haring.[7] SJK 171 is also credited with pioneering the use of arrows in graffiti writing around this same time.[7] In 1972, he was hired by the Joffrey Ballet to paint his designs, live, in the stage production of Twyla Tharp's ballet Deuce Coupe, along with other graffiti artists, including Stay High 149.[8]

In 1973, SJK 171 was featured in a New York Magazine essay on graffiti art by Richard Goldstein.[9]

[edit]

1973: A collaborative mural bearing SJK 171's tag, along with those of PHASE 2 and a dozen other early graffiti artists, was the main attraction at a gallery show of graffiti art at Razor Gallery in SoHo.[10] SJK 171 was also one of several graffiti writers featured in the backdrop design for the Joffery Ballet's production of Deuce Coupe.[11]

2014: SJK 171's work is included in the permanent collection of The Museum of the City of New York.[12]

2018-2019: SJK 171 was included in "Beyond the Streets", a street art exhibition displayed in Los Angeles and New York.[5][6]

References

[edit]
  1. ^ "Graffiti". Democrat and Chronicle. 7 November 2016. Retrieved 25 November 2022.
  2. ^ "Street Art Originals Cornbread, Shepard Fairey and More on Graffiti's Radical Change". Observer. 2018-05-22. Retrieved 2020-01-02.
  3. ^ Riefe, Jordan (June 21, 2018). ""Beyond The Streets" Harkens To Graffiti's Roots In Diversity". LA Weekly. Retrieved 2020-01-09.
  4. ^ Diaz, Al (2018). SAMO©...SINCE 1978: SAMO©...Writings: 1978-2018. Irie Books. p. 201. ISBN 978-1515417194.
  5. ^ a b Thomas, Sean P. "Celebrating Street Art in a Chinatown Warehouse". Los Angeles Downtown News - The Voice of Downtown Los Angeles. Retrieved 2019-12-29.
  6. ^ a b Barry Samaha & Chloe Kantor (June 21, 2019). "From Vandals To Vanguards, This Exhibition Shows The Evolution Of Graffiti Artists". Surface. Retrieved January 5, 2020.
  7. ^ a b c Gastman, Roger (2015). Wall Writers Graffiti In Its Innocence (1st ed.). Berkeley, California: Gingko Press Inc. p. 121,122, 137,141,142. ISBN 978-1-58423-601-6.
  8. ^ Siegel, Marcia (2020). Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance (1st ed.). University Press of Florida. p. 77. ISBN 9780813068145.
  9. ^ Goldstein, Richard (26 March 1973). "This Thing Has Gotten Completely Out Of Hand". New York Magazine. New York City.
  10. ^ Schjeldahl, Peter (September 16, 1973). "Graffiti Goes Legit—But the 'Show-Off Ebullience' Remains". The New York Times. Retrieved 2020-01-05.
  11. ^ Siegel, Marcia B. (2007-04-01). Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance. Macmillan. p. 77. ISBN 978-1-4299-0877-1.
  12. ^ Corcoran, Sean; McCormick, Carlo (2013). City as canvas : New York City graffiti from the Martin Wong collection. Wong, Martin,, Corcoran, Sean, 1974-, McCormick, Carlo,, Museum of the City of New York. New York, NY. ISBN 978-0-8478-3986-5. OCLC 857194047.{{cite book}}: CS1 maint: location missing publisher (link)

Further reading

[edit]
  • Chandès, Hervé. Born in the Streets, Fondation Cartier pour l'art contemporain, 2006, ISBN 978-0-500-97695-1.
  • Gastman, Roger. The History of American Graffiti, HarperCollins, 2011, ISBN 978-0-06-169878-1.
  • Deitch, Jeffrey. Art in The Streets, Rizzoli International Publications, 2011, ISBN 978-0-8478-3648-2.
  • Gastman, Roger. Wall Writers: Graffiti in Its Innocence, Gingko Press, 2015, ISBN 978-1584236016.