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How Great Science Fiction Works

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Robots, spaceships, futuristic megacities, planets orbiting distant stars. These icons of science fiction are now in our daily news. Science fiction, once maligned as mere pulp, has motivated cutting-edge scientific research, inspired new technologies, and changed how we view everyday life - and its themes and questions permeate popular culture. Take an unparalleled look at the influence, history, and greatest works of science fiction with illuminating insights and fascinating facts about this wide-ranging genre. If you think science fiction doesn't have anything to do with you, this course deserves your attention. And if you love science fiction, you can't miss this opportunity to trace the arc of science fiction's evolution, understand the hallmarks of great science fiction, and delve deeply into classics while finding some new favorites.

These 24 captivating lectures reveal the qualities that make science fiction an enduring phenomenon that has been steadily gaining popularity. You'll grasp the context and achievements of authors like Arthur C. Clarke, H.G. Wells, Isaac Asimov, Ursula K. LeGuin, and many more. You'll experience the wonder, horror, and incredible imagination of works like Frankenstein, the Foundation series, Stranger in a Strange Land, and dozens of more recent stories as well. You'll also see this genre's influence in movies like Star Wars and TV shows like The Twilight Zone.

Science fiction can take us places in time and space where no other form of fiction can - outer space, the far future, alternate universes, unfathomable civilizations. The best science fiction expands our imaginations and makes its mark on our reality. And while few writers would ever claim to predict the future, sometimes authors get it almost eerily right: Gernsback describing radar in 1911, Bradbury describing giant flatscreen TVs in 1951, Gibson inventing "cyberspace" in 1984, and so on.

13 pages, Audible Audio

First published January 8, 2016

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About the author

Gary K. Wolfe

31 books39 followers
Gary K. Wolfe is Emeritus Professor of Humanities at Roosevelt University and the author, most recently, of Evaporating Genres: Essays on Fantastic Literature and Sightings: Reviews 2002–2006. He writes regular review columns for Locus magazine and the Chicago Tribune, and co-hosts with Jonathan Strahan the Hugo-nominated Coode Street Podcast.

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Displaying 1 - 30 of 175 reviews
Profile Image for Tomislav.
1,093 reviews86 followers
Currently reading
September 26, 2024
I am reading the DVD and paperback edition of Great Courses #2984, “How Great Science Fiction Works”, by Gary K. Wolfe - and using it as a guided, mostly re-read, reading list. This edition consists of 4 DVDs containing 24 one-hour video lectures, and a 207-page guidebook, and my reading progress is recorded by page number. Clearly, with the number of books referenced, it is going to take a good while to get through my reading list.

And for up-to-the-date topics in speculative fiction and literature, I also follow Jonathan Strahan and Gary K. Wolfe on their semi-regular Coode Street Podcast.

There is a reading list included in the guidebook. However, my personal reading list differs, depending on my previous reads or my own interests. Here is MY reading list –

Lecture 1; Mary Shelley and the Birth of Science Fiction
Frankenstein: The 1818 Text, by Mary Shelley

Lecture 2; Science Fiction in the 19th Century
The Science Fiction of Edgar Allan Poe, by Edgar Allan Poe
√√ From the Earth to the Moon (Illustrated 1874 Edition): 100th Anniversary Collection, by Jules Verne (omnibus of two novels – From the Earth to the Moon, Round the Moon)
The Time Machine, by H. G. Wells
The War of the Worlds, by H. G. Wells

Lecture 3; Science Fiction Treatments of History
1) time travel into history
A Connecticut Yankee in King Arthur's Court, by Mark Twain
Behold the Man, by Michael Moorcock
Doomsday Book, by Connie Willis
2) history as a template for future history
√√√ The Foundation Trilogy, by Isaac Asimov (omnibus of three novels – Foundation, Foundation and Empire, Second Foundation)
The Moon Is a Harsh Mistress, by Robert Heinlein
3) theories of history
The Voyage of the Space Beagle, by A. E. van Vogt
√√√√Cities in Flight, by James Blish (omnibus of four novels – They Shall Have Stars, A Life for the Stars, Earthman Come Home, The Triumph of Time)
4) alternate history
Lest Darkness Fall, by L. Sprague de Camp
The Man in the High Castle, by Philip K. Dick

Lecture 4; Evolution and Deep Time in Science Fiction
√√ Last and First Men/Star Maker (omnibus of two novels), by Olaf Stapledon
The City and the Stars (Against the Fall of Night), by Arthur C. Clarke
Beyond the Fall of Night, by Gregory Benford
√ Galactic Center series: In the Ocean of Night, Across the Sea of Suns, Great Sky River, Tides of Light, Furious Gulf, Sailing Bright Eternity, by Gregory Benford
The Time Ships, by Stephen Baxter
Evolution, by Stephen Baxter

Lecture 5; Utopian Dreams and Dystopian Nightmares
Utopia, by Thomas More
The New Atlantis, by Francis Bacon
The Iron Heel, by Jack London
We, by Yevgeny Zamyatin
Nineteen Eighty-Four, by George Orwell
It Can't Happen Here, by Sinclair Lewis
Anthem, by Ayn Rand

Lecture 6; The Rise of the Science Fiction Pulps

Lecture 7; The Golden Age of Science Fiction Stories

Lecture 8; The Spaceship as a Science Fiction Icon
Orphans of the Sky, by Robert Heinlein
Non-Stop, by Brian Aldiss
Captive Universe, by Harry Harrison
Aurora, by Kim Stanley Robinson
Marrow, by Robert Reed
The Ship Who Sang, by Anne McCaffery

Lecture 9; The Robot: From Čapek to Asimov

Lecture 10; The Golden Age of the Science Fiction Novel
Fahrenheit 451, by Ray Bradbury
The Space Merchants, by Frederick Pohl and C. M. Kornbluth
Childhood's End, by Arthur C. Clarke

Lecture 11; From Mars to Arrakis: The Planet
The Martian Chronicles, by Ray Bradbury
Red Mars, by Kim Stanley Robinson
Dune, by Frank Herbert

Lecture 12; The Science Fiction Wasteland
The Scarlet Plague, by Jack London
Earth Abides, by George R. Stewart
A Canticle for Liebowitz, by Walter M. Miller
The Road, by Cormac McCarthy
Seveneves, by Neal Stephenson

Lecture 13; Invasions, Space Wars, and Xenocide

Lecture 14; Religion in Science Fiction
A Case of Conscience, by James Blish
The Sparrow, by Mary Doria Russell
Stranger in a Strange Land, by Robert A. Heinlein
Parable of the Sower, by Octavia Butler

Lecture 15; Science Fiction’s New Wave

Lecture 16; Encounters with the Alien Other

Lecture 17; Environmentalism in Science Fiction

Lecture 18; Gender Questions and Feminist Science Fiction

Lecture 19; Cyberpunk and the 1980s

Lecture 20; The 1990s: The New Space Opera

Lecture 21; The Artifact as a Science Fiction Icon

Lecture 22; Science Fiction’s Urban Landscapes

Lecture 23; Science Fiction in the 21st Century

Lecture 24; The Future of Science Fiction
Profile Image for Veronique.
1,308 reviews220 followers
August 20, 2018
3.75*

I’m pretty much omnivorous when it comes to reading, but Science Fiction has always fascinated me. This is probably due to growing up reading Jules Verne and Yoko Tsuno (Belgian scifi comic - https://www.goodreads.com/review/show...).

On the whole, I found this ‘course’ interesting. Wolfe gives a very good overview of the genre, from the early 19th century with Mary Shelley’s Frankenstein to nowadays. He mentions many authors and works, as well as the important role of editors, while reviewing themes and the evolution of the genre. However, I felt that most of these lectures were superficial and never really went deeper in the subject.
Profile Image for Carlex.
617 reviews149 followers
December 11, 2023
This book renews my unconditional love ❤️ for science fiction. Each of the twenty-four chapters is a master class and the whole book can be said to summarize the entire content of science fiction quite well. Each lesson begins with a theoretical note and then shows relevant examples of the topic covered. Thus, throughout the book many great works and essential authors have been cited.

Regarding the cited bibliography, on the one hand I am satisfied because I see how much I have read and on the other hand I am also happy with how much I still have to read.

Highly recommended for the fan as well as for those who want a "first contact" with this exciting literary genre 🖖🏻.
Profile Image for 11811 (Eleven).
663 reviews155 followers
October 28, 2016
Covers Frankenstein through modern day. So many books I want check out beyond the usual Bradbury/Heinlein/Wells/Aasimov stuff that I wouldn't be aware of if I hadn't listened to this.

Short lectures but still a great series.
Author 3 books952 followers
July 25, 2018
I had a dream a few months ago, the kind of dream you replay again and again after you wake up... the kind that sticks. Although it was only one scene, whenever I replay it, I can feel my heart-pounding and find myself reliving the sense of awe that overcame me during the dream.

So, naturally, I went and wrote it down. After 20 pages, I realized that I was writing the opening chapter of my new novel...my third novel to be exact. I also realized that I'm writing science fiction, which I've never done before. Does watching Star wars and the Hunger Games count? After a very short consideration the answer was a clear "no".

That's how I ended up listening to this Audible course.

After the first three or four lectures, I couldn't make up my mind whether I liked it or hated it. I expected to get structured tips, tricks and -dare I say - "Strategies" on how to write science fiction. I did not. That was very disappointing. However, now that I "wasted" my 15 dollars Audible credit (and as the stingy person I am), I decided to see this through and milk whatever I can get in return for the money spent.

The course took main themes and components of science fiction novels (e.g. spaceships, planets, time travel, utopias, distopias) then provide a detailed commentary them. Then he uses plot summaries of best selling novels to describe how they are differently used in the genre.

As the course progressed, I started researching these books he discusses and ultimately ended up adding them to my "want-to-read" shelf on Gooreads. By the end of the course I stacked up 10-15 science fiction novels out of almost a 100 mentioned in the lectures. These 10-15 books were very, very, relevant to what I want to write. Not only did I have this list, I also had a pretty good understanding of plots of 10s of best selling novels.

My list included:
- The Time Machine
- Neuromancer
- We
- Uglies
- Stranger in a Strange Land
- Childhood's End
- Orphans of the Sky
- Parable of the Sower
- Gun, With Occasional Music
- The World Inside
- Brave New World
- The Space Merchants

The upside:
(+) Having this "menu" of plots summarized and thematically categorized was useful. It will help me brainstorm about my novel as I progress.
(+) b>As a novice to the genre, I don't think I would've ever been able to get to this level of understanding if it weren't for this course.

The downside
(-) as I said earlier in the review, there is no guidance on what a good science fiction novel is , but more of a discussion of themes
(-) I felt that Gary K Wolfe (The lecturer) had a political message that he constantly tried to weave into the course (with or without context). He frequently (and) 'conveniently' found a way to state his support of feminism or denounce traditional gender roles. I completely understand if it were mentioned a couple of time. But after the 20th time, it was a bit too much. The course is about science fiction not about gender roles and feminism.

For that, he loses 2 stars.

Profile Image for Miquel Codony.
Author 11 books297 followers
March 24, 2017
Es excelente. Como repaso a los recursos, la historia y los temas de la ciencia ficción, difícilmente se puede hacer mejor.

Si alguien duda, en alguna ocasión, por qué la ciencia ficción es importante y qué aporta a la literatura, este es el curso al que hay que recurrir.
Profile Image for David.
Author 18 books388 followers
November 7, 2016
Well, as a long-time SF fan, this Great Course (one of Audible's Daily Deals) was bound to appeal to me. I was not sure if it would contain anything I didn't know, but of course Professor Wolfe, as a PhD expert in the subject, has read even more science fiction than me. Still, I was gratified to recognize most of the names and titles he mentioned (even if I hadn't read them all).

This is really a history of science fiction, rather than a course in that elusive quality of "greatness." Defining "great" SF is necessarily going to be subjective, so Wolfe attempts to be broad and expansive. He starts with the early origins of science fiction - the pulps, and good old Hugo Gernsback (of course he covers earlier material and gives proper homage to Mary Shelley and other sci-fi forebearers), talks about the Grand Old Masters you'd expect (Heinlein, Asimov, Clarke, E.E. Doc Smith, etc.) and moves all the way up through the modern day, ending in about 2014 as he mentions such recent names as Li Xixin, Nnedi Okorafor, and Lavie Tidhar, thus addressing SF's changing demographics and broader audience.

The chapters generally cover a particular "generation" of sci-fi (e.g., the pulp era, or the New Wave of the 60s and 70s, or space opera, or cyberpunk), or else a particular trope (rocket ships, alien invasions, dystopias, etc.) In each chapter he describes some of the notable authors and books in some detail, and with a persuasive degree of knowledge of a subject he clearly loves.

For the most part, Wolfe tries to avoid being too opinionated, so if his own tastes prejudice his judgment, it's not obvious. The series was slightly dry and academic, and probably won't appeal to anyone who isn't a SF fan already (this is not an "Introduction to Science Fiction" course), and if you are an aspiring writer, don't be misled by the title into thinking it will give you any writing tips (though it will probably give you a list of books you should add to your reading list). But for any serious science fiction aficionado, this will be an enjoyable listen, talking about old favorites and probably some titles you hadn't heard of before and will want to check out.
Profile Image for Angie Boyter.
2,097 reviews72 followers
May 20, 2017
Rather disappointing---not as advertised. This is a Great Courses COURSE, and from the title I was expecting something more analytical, giving more insights into what makes a good work of science fiction and perhaps why the genre is popular. This is more of a straightforward history of science fiction, with lectures on the various topics like war in SF, robots, space opera (which he never really defines), etc. Many of the lectures become simply a litany of works or authors under that topic. Some are simply named, which is not very helpful, or the instructor gives a summary of the plot, which usually spoils the story for someone who has not read it but does not analyze why this is a good example. There is also more emphasis than I would prefer on very early SF or precursors of SF from centuries past. In addition, the author says SF is not fantasy but then proceeds to include some works that are clearly fantasy, especially in the last lecture.
Profile Image for TS Chan.
766 reviews926 followers
July 22, 2019
This Great Course about science fiction induced the addition of more books into by TBR shelf, which is growing significantly faster than my ability to deplete it.

I enjoyed listening to this exploration into the evolution of science fiction through the ages. It also made me sort of understand why science fiction had been considered "as an embarrassment or a subliterary genre", thanks to early 20th century pulp magazines in which science fiction featured heavily. However, science fiction has since evolved into much more than just pulp fiction.

As a huge fan of science fiction and fantasy, I'm definitely one of those who cannot stomach the kind of snobbery that the literary world subscribes to where even authors who were actually writing science fiction claimed that their books are of literary works.

The last chapter of this course on the Future of Science Fiction was my favourite. At the very least, it highlighted this amazing speech by the late Ursula K Le Guin at the 2014 National Book Awards.

"To the givers of this beautiful reward, my thanks, from the heart. My family, my agents, my editors, know that my being here is their doing as well as my own, and that the beautiful reward is theirs as much as mine. And I rejoice in accepting it for, and sharing it with, all the writers who’ve been excluded from literature for so long – my fellow authors of fantasy and science fiction, writers of the imagination, who for 50 years have watched the beautiful rewards go to the so-called realists.

Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.

Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.

Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.

Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit.

Its name is freedom."

The course professor succinctly closes his course notes by saying "At its best, science fiction can be as artful and accomplished as any kind of fiction, and it can take us places where no other form of fiction can."

I believe that we, as fans of science fiction and fantasy, can wholly agree and stand by that statement.
Profile Image for Sohail.
472 reviews14 followers
April 29, 2021
The title of this course is a misnomer. It is not about the techniques that elevate science-fiction to greatness, but a general history of science-fiction. Not that it is bad thing, but the readers should know what they are getting into beforehand.

The course covers various periods, themes and tropes, as well as significant contributors to the field. Be warned, though. The author is not a great believer in spoiler-free discussions. As he struggles not to spoil the novels which he discusses, he fails miserably. If you like your stories unspoilt, this course is not a safe one.
Profile Image for Matt.
2,505 reviews28 followers
October 4, 2020
This isn't actually an audiobook, but rather a series of interesting lectures concerning the history of science fiction literature. While the speaker wasn't necessarily making recommendations, I came away with many books that I'm interested in reading someday.
Profile Image for EruDani.
144 reviews5 followers
March 22, 2018
Si les gusta el sci-fi no se pierdan esta serie de clases sobre el tema, es un resumen excelente de las obras desde sus inicios con Mary Shelly hasta cerca de 2017, divididos en temas como: ciencia ficción y religión, ciencia ficción y feminismo, ciencia ficción y el medio ambiente, distopias y cyber punk, entre otros. Sin desperdicio y les va a llenar la lista de 'libros que quiero leer' en apenas una hora... :P
Profile Image for Gilbert Stack.
Author 75 books76 followers
February 15, 2019
Despite the title, this Great Courses work was really an entertaining and informative history of science fiction starting with its debatable origins (Wolfe convinced me that Mary Shelley’s Frankenstein deserves the designation of first science fiction novel), then walking us through the many of the great early writers (Wells, Verne and Poe) before spending the rest of the lectures discussing icons of the genre (the spaceship, the planet, the robot, etc.) or movements within the field (the Golden Age, Cyberpunk, etc.), and later influential editors and authors (Campbell, Heinlein, Asimov, Butler, etc.). Overall I consider it to be a great overview of the field and I very much enjoyed listening to it.

I do have a couple of—“complaints” seems too strong a word so perhaps we should call them constructive suggestions. I recognize that some works have had tremendous influence, but part of why I listen to a series of lectures like this is to be introduced to as large a variety of great texts as possible. Therefore, I would have preferred that Wolfe minimize the number of times he referred to the same book across lectures. I also wish someone would fix the table of contents in the audible version as many chapter titles are connected to the wrong lectures (i.e. lecture 10 actually links to lecture 21) which makes it hard to review a lecture after you have passed it.

I’d like to end on a more positive note. One of the great delights of listening to a series like this is hearing about books and authors I know and have read. So I appreciated greatly the many times that Wolfe would say things like, “Of course there are many more feminist science fiction writers than I have time to explore here. Authors like…” and he would rattle off ten names. I enjoyed seeing where authors whose works I love fit into the larger schema of science fiction. And that, in summation, is really what this lecture series is about—showing how the authors in the field have influenced each other and caused science fiction to grow and diversify into the genre it is today.

If you liked this review, you can find more at www.gilbertstack.com/reviews.
Profile Image for Rick Howard.
Author 3 books34 followers
August 11, 2018
I very much enjoyed Dr. Wolfe’s Great Courses lecture. I have always considered myself to be a science fiction fan, but after listening to these lectures, I learned that there are numerous holes in my science fiction education that I will have to get busy filling.

To my great surprise, I learned that the mother of science fiction is Mary Shelly, the author of ‘Frankenstein; or The Modern Prometheus,” published in 1818. She was the first author to tell a fictional tale where the catalyst of the entire story arc was a bit of science that was tantalizingly just out of modern reach. Electricity might be able to reanimate dead tissue. What a great idea. The fact that a woman created an entire genre of writing is fascinating by itself but when you consider that she did it when, at the time, respectable women didn’t write novels and especially didn’t write horror/gothic novels, Shelly’s accomplishment is extraordinary. And she wasn’t done there. Some scholars say she is the first author to create a post-apocalyptic novel too when she published, "The Last Man” in 1826.

On the other end of the spectrum, I was saddened to discover that men treated women and minorities just as badly in the science fiction family as they did everywhere else. Although Shelly’s Frankenstein was fabulous start, science fiction has largely been, until recently, an American and British tradition and mostly written by white people. That is slowly changing now, but since Shelly’s beginning to Ursula K. Le Guin’s "The Left Hand of Darkness" in 1969, the story authors and pulp magazine editors that published these stories were not diverse. There were exceptions of course, but the bulk of the writers were white and American or British.

What I found the most interesting about Dr. Wolf’e explanation of science fiction though was my realization that there isn’t much difference between science fiction and other genres. They all tell fictional stories. Literature scholars rate good literature higher then the other forms because authors tell good stories that are realistic but also illuminate some piece of the human condition: love, sadness, life, death, etc. Authors who can write at multiple levels like that are very good at their craft.

Other genres are normally frowned on by literature scholars because the authors usually tell fantastical stories; stories that would never happen in the real world. Science Fiction authors use not-yet-existing-but plausible science to explain visionary possibilities. Fantasy authors uses magic and/or the supernatural to explain their whimsical, imaginary, and even grotesque tales. Horror writers uses the supernatural to explain their stories of the macabre. But even these lesser forms of story telling, as judged by the literature scholars, could be literature too if they illuminated the human condition somehow as many of the great science fiction books do. The difference between literature fans and science fiction fans though is that, sometimes, science fiction fans just want a rip-roaring story that doesn’t make us think too much; stories like space operas and space westerns where there are lots of space ships and robots and flying cities and the heroes save the day and they don’t give a hoot about the human condition. Science fiction fans will take some illumination of the human condition but it is not a prerequisite.

I recommend Dr. Wolfe’s Great Course. I learned a lot and because of it, I have a deep stack of great science fiction to discover.


References


“Frankenstein; or The Modern Prometheus,” by Mary Shelly, published by lacking ton, Huges, Harding, Mavor, and Jones, 1818, Last Visited 10 August 2018,
https://www.thegreatcoursesdaily.com/...

"FRANKENSTEIN PUBLISHED,” History.com Staff, 2009, A+E Networks, Last Visited 8 August 2018,
http://www.history.com/this-day-in-hi...

"How Great Science Fiction Works,” by Gary K. Wolfe, Audible Audio, The Great Courses, #2984, Published 8 January 2016 by The Teaching Company, Last Visited 8 August 2018,
https://www.goodreads.com/book/show/2...

"How Great Science Fiction Works: Course Guidebook” by Professor Gary K. Wolfe, Roosevelt University, Published by The Great Courses, 2016

“This Day in History, 11 Mar 1818, Frankenstein Published,” History, Last Visited 8 August 2018,
https://www.history.com/this-day-in-h...

"The Last Man,” by Mary Wollstonecraft Shelley, published by Galignani, 1826, Last Visited 10 August 2018,
https://books.google.com/books?id=l78...

"Mary Shelley: Meet The Teenage Girl Who Invented Science Fiction,” by Whitney Milam, Digital Communications at National Security Action, 11 July 2015, Last Visited 10 August 2018,
https://amysmartgirls.com/mary-shelle...

"Mary Shelley, Frankenstein and the Villa Diodati,” by Greg Buzwell, Discovering Literature: Romantics and Victorians, British Library, 15 May 2014, Last Visited 8 August 2018,
https://www.bl.uk/romantics-and-victo...
Profile Image for Michael Adams.
379 reviews20 followers
March 6, 2019
Excellent series of essays breaking down the roots, legacy, and varied modes of science fiction.
Profile Image for Brad.
Author 2 books1,819 followers
January 8, 2019
An excellent overview of Science Fiction from an academic perspective, Gary K. Wolfe offers some pretty compelling insights along the way and offers one of the finest distinctions between Sci-Fi and Fantasy that I have come across -- without diminishing either genre. A must for anyone just starting their journey in Sci-Fi, and a high recommendation for any old Sci-Fi vets who need a refresher of the roots.
Profile Image for Adam.
Author 8 books9 followers
December 4, 2017
This course is perhaps misnamed, and would be better called "The History of Science Fiction." There are no secrets to the ways of sci-fi's greatest writers, as the title might suggest. Rather, it follows a course starting with Mary Shelley and tracing through to today. The major movements of the genre, including early years, the Campbell Era, the Golden Age, New Wave, Cyberpunk, and so on are covered, as are some of the major motifs-- robots, planets, spaceships, aliens. The course feels awfully white and male (as the field was) at first, but female and global perspectives gain greater prominence as the course continues. Erudite and approachable, broad yet precise, I highly enjoyed this course, which steered me towards several authors I did not know before. Of course there are some overlooked authors (Philip K Dick, for instance, is mentioned only tangentially. but such is the nature of any such survey course. A great intro to the field, and it's the sort of Great Course I would love to have taken as an actual college course.
Profile Image for Andrea .
513 reviews
July 1, 2016
Stellar lecture series on history and themes of science fiction, from the 19th century, to the pulp era, to about 2015. Highly recommended.

Dr. Wolfe is insightful and very engaging-- I can tell he really loves the subject material and sharing it with others. He also has a nuanced approach, taking the era of the work and the author's constraints into consideration (for example, a lot of pulp sci-fi was produced for as little as half a cent per word with the expectation that it would disappear after the next issue of the magazine came out-- many of these writers were focused on making a modest living rather than high art). This is a survey, so it moves quickly and doesn't focus on a single work or author for very long.

My biggest takeaway was a huge list of books I want to read-- and I rarely listen to audio books in a setting where I can take notes! Thankfully, the course materials for this lecture list the books Dr. Wolfe mentions.

168 reviews33 followers
October 28, 2016
A little dry for a subject I don't find dry. Solid overview of the last century's science fiction with occasional glimpses into earlier speculative fiction. Organized into 23 or 24 'lectures, Wolfe uses chronology as the primary scheme, but also does side excursions to add some interesting categories like alternate history and women authors.

This is NOT science fiction. What it is IS a way to organize the science fiction you've read or want to read. It also explains how the area has evolved ... and where it may be going.
Profile Image for Robert.
933 reviews18 followers
December 31, 2016
More of a history of the genre than a deconstruction of the genre itself. Still, Wolfe does a good job of covering the definition of science fiction over the years. He articulates three points that resonated with me about the draw of science fiction:

1. Provides a sense of wonder
2. Provides a means of exploring what is means to be human
3. Provides a screen on which to project fears and anxieties
Profile Image for Alvaro Zinos-Amaro.
Author 69 books61 followers
August 23, 2016
I devoured these 24 lectures over the course of 6 days. A superb overview of science fiction and its differentiating characteristics, conveyed through a dual approach focusing on historical development and context, and an extremely thoughtful consideration of science fiction's conceptual "icons." Longer review forthcoming.
Profile Image for Clyde.
881 reviews52 followers
March 9, 2019
Good series of lectures on science fiction -- covering its history and culture, and its impact on literature and society as a whole. I discovered a few books that I need to read.
Profile Image for Yaaresse.
2,100 reviews16 followers
March 9, 2021
4.5 solid.

So many books. So little time. The bibliography, found in the audio book's accompanying printed course guide, is dangerous to both one's wallet and TBR list.

This Great Course is comprised of 24 half-hour lectures on the history and elements of sci-fi, starting with Mary Shelley's Frankenstein, the work of Poe, Wells, Verne, Borroughs, etc, up to and including 21st century sci-fi by such authors as Kim Stanley-Robinson, Nalo Hopkinson, and Nnedi Okorafor. And while there is lots of talk about Heinlein, Asimov, Blish and all the other white nerdy guys who make up the stereotypical sci-fi history and so must be discussed at length, Dr. Wolfe makes a point of highlighting (and championing) women and authors of color.

In the lectures that discuss elements of sci-fi, Wolfe covers spaceships and robots, war and religion, the alien as "other", artifacts, and environmentalism. Major topics in the history lectures include pulps, the Golden Age of sci-fi, space operas, and cyberpunk. The sections of cyberpunk and gender issues were, IMO, two of the most interesting in the series.

For my taste, the weakest part of this GC is the very beginning. When discussing the difference between sci-fi and fantasy -- and most emphatically stating he is NOT going to discuss fantasy -- Wolfe was a little off-putting on the subject. I get it: he had to set boundaries early. Still, it sounded dismissive of fantasy altogether, and it later becomes clear that he isn't "anti-fantasy" at all.

It helps to be familiar with at least some of the classic sci-fi books and anthologies of mid-to-late 20th century, and to remember this is basically a literature review course and not a "how to" class. I enjoyed it for more than I expected, and I'd love to see a similar GC focusing on other genres.. (OK, not romance or chick-lit. No one needs that.)

Side note: This is one of the GC's that does well on Audible. There's really nothing lost as Wolfe doesn't employ much use of graphics at all. This makes it prime "listen while walking" material.

Profile Image for Julie  Capell.
1,120 reviews30 followers
December 18, 2022
Very good overview of the history of science fiction right up through the early 2015 or so. I have followed Gary K Wolfe's reviews in Locus Magazine for many years and find them insightful as well as helpful in selecting my next scifi reads. The only reason I didn't give this series of lectures 5 stars was because I thought they would focus more on the art, craft, and theory behind science fiction. The later chapters got into more of this type of thing, but more than half focused on presenting a timeline of science fiction, naming all the foundational works of the genre and its pre-eminent authors. Even later chapters often seemed more like a "greatest hits of scifi" list than an in-depth examination of the elements that make scifi different from other genres. Still, for those who are new to scifi or for younger readers who are unaware of scifi works published prior to, say, 2000, these lectures provide a treasure trove of amazing science fiction that can fill your "to be read" list.

The sections I liked the most included:

- Lecture 16 "Encounters with the alien other" (the known v the unknown, the familiar v the strange, ourselves v the Other)
- Lecture 21 "The artifact as a science fiction icon" (what artifacts large and small represent in science fiction--the indifference of the universe, our own fears, sense of wonder)
- Lecture 22 "Science fiction and urban landscapes" (the many ways science fiction has examined cities, as saviors of human culture and as destroyers of it)
- Lecture 23 "Science fiction in the 21st century" (about the explosion of international science fiction and works by POC and non-US/British authors)
- Lecture 24 "The future of science fiction" (the convergence of science fiction and literary fiction)

In the last lecture, Wolfe quotes one of my favorite scifi writers, China Miéville, as saying that the schism between literary fiction and science fiction is recognition versus estrangement. I have found this to be true. When I bring a science fiction book to my literary fiction book club, I am always amazed at how much difficulty the group has reading, understanding, and most importantly, relating to the science fictional world and the ideas being presented. They simply seem to not recognize themselves or our world within the book. Whereas I, and many of my science fiction-loving friends, seem to seek out and revel in the very strangeness that is the raison d'etre of most scifi. I love how Wolfe puts it in the final lecture: it's the difference between saying "Oh, yes!" in recognition while reading, versus "Oh, my!"

Profile Image for James.
568 reviews29 followers
March 31, 2019
Very good survey of the Science Fiction genre. Wolfe is a knowledgeable and competent speaker, and he makes a distinction between SF and Fantasy that I completely support and agree with. SF is fiction that could happen whereas Fantasy is fiction that will never happen. (I detest Fantasy and all that accompanies it.)

A by-product of this series is that my reading list has swelled by at least a dozen novels and several short stories. Although fairly well-read in the genre, there are several classics I missed, and several I want to re-read. I lost interest in the genre for the most part when it became just another vehicle for political posturing, so much of the work of the past thirty or so years is not at all interesting to me.

There were several notable omissions in the series, notably Hannu Rajaniemi and some of the newer Chinese writers, but all in all it was a very satisfying survey.
Profile Image for Einar Nielsen.
Author 15 books21 followers
August 4, 2017
I really liked this. I had listened to Wolfe on the Coode Street Podcast and therefore got these lectures and boy am I glad I did. There are 24 lectures that talk about different aspects of science fiction and delve deep into the subject. I wish that I had sat down with pen and paper to take notes. My only objection is that I would have like to hear a little bit more about Samuel R Delany (but I have heard a lot previously). Otherwise, I learned so many new things and I have taken a class on science fiction and listened to another Great Courses lecture previously.

So if you are a bit of a sci-fi nerd like myself and enjoy learning about its history then this is a definite recommend.
Profile Image for Anatole.
27 reviews8 followers
July 11, 2019
Awesome lecture series. Professor Wolfe's delivery is very natural and his coverage of the material is both deep and current. This lecture series (I am writing this in 2019) includes books as recent as the middle 2010s. It's not a chronological history of science fiction but a thematic one. He covers the discussion over what science fiction is, important keystones of the genre, aspects of genre, women writers etc... Cannot recommend this enough to those interested in the form.
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