Craft Quotes
Quotes tagged as "craft"
Showing 181-192 of 192
“The dilemma of the critic has always been that if he knows enough to speak with authority, he knows too much to speak with detachment."
(A Qualified Farewell)”
― The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance
(A Qualified Farewell)”
― The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance
“[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature.”
― The Letters of Dorothy L. Sayers 1899-1936: The Making of a Detective Novelist
― The Letters of Dorothy L. Sayers 1899-1936: The Making of a Detective Novelist
“Creation from chaos is natural. We've come to a place where we've realized that we have this actual physical need to create things. We've discovered that we hate people en masse, we're sick of homogenized culture, and these realizations have left holes in our hearts. We create to fill those holes, to be able to sleep at night knowing we've done something, even a small something, to confront the manufactured culture that is currently being churned out.”
―
―
“No. Not yet. A craftsman only. But I dream to be an artist. I pray that someday, if I work with enough care, if I am very very lucky, I will make a weapon that is a work of art. Call me an artist then, and I will answer.”
― The Princess Bride
― The Princess Bride
“I tended to do anything as long as it felt like an adventure, and to stop when it felt like work. Which meant that life did not feel like work.”
―
―
“The solution, once revealed, must seem to have been inevitable. At least half of all the mystery novels published violate this law."
(Casual Notes on the Mystery Novel, 1949)”
― Raymond Chandler Speaking
(Casual Notes on the Mystery Novel, 1949)”
― Raymond Chandler Speaking
“The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It requires an authentic junk mind. Most creative-writing teachers have had the experience of occasionally helping to produce, by accident, a pornographer. The most elegant techniques in the world, filtered through a junk mind, become elegant junk techniques.)”
― The Art of Fiction: Notes on Craft for Young Writers
― The Art of Fiction: Notes on Craft for Young Writers
“What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted.
"Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..."
"What was he like as a person?" asked Dalgliesh.
"Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity."
"A typical writer, in fact?" suggested Dalgliesh mischievously.”
― Unnatural Causes
"Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..."
"What was he like as a person?" asked Dalgliesh.
"Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity."
"A typical writer, in fact?" suggested Dalgliesh mischievously.”
― Unnatural Causes
“All you ought to be worrying about now is order (not about how to impose it on chaos, wish is the opposite of art, but about how to bring it out of chaos, which is art itself). And your worrying about this ought not to be a tortured thing - God knows there's enough torture growing wild in everybody's life so that nobody in his right mind needs to cultivate it - but a serene thing. Don't, in other words, jazz yourself up into a nervous wreck. Be quiet, be as sane as you can, and let the work come out of you. If it's to come, it will; if it's not, no amount of self-induced frenzy is going to hep it along.
One final piece of solemn, teacherly advice, and I do mean this: Try to like yourself a little better.”
―
One final piece of solemn, teacherly advice, and I do mean this: Try to like yourself a little better.”
―
“...the making of stories is only one part of my craft -mainly, I'm a heart whisperer...”
― A Familiar Rain
― A Familiar Rain
“Show me you care about our common tongue. Bring to your [writing] passion, deeply informed by knowledge of your subject. Stay me, not with apples and flagons, but with wit and grace, humor and intense caring about your discipline. Don't slack, don't give it a lick and a promise, don't make it evident that you posted what was 'good enough for government work,' don't try and fake it. Give it your best, your all, not for pence, but for the love of the craft.
Do these things, as these writers and scores I have not named do, bring to your work your self, your heart, your voice, motherly or youthful, lawyerly or priestly, conservative or liberal, it matters not. Do this and I and hundreds of others will return again and again to your work, not merely because we may have a burning need for a new printer or an abiding interest in college newspapers or what have you, but because we wish to spend time with your mind and voice.”
―
Do these things, as these writers and scores I have not named do, bring to your work your self, your heart, your voice, motherly or youthful, lawyerly or priestly, conservative or liberal, it matters not. Do this and I and hundreds of others will return again and again to your work, not merely because we may have a burning need for a new printer or an abiding interest in college newspapers or what have you, but because we wish to spend time with your mind and voice.”
―
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