“My own garden is my own garden,” said the Giant; “any one can understand that, and I will allow nobody to play in it but myself.”
The Selfish Giant is“My own garden is my own garden,” said the Giant; “any one can understand that, and I will allow nobody to play in it but myself.”
The Selfish Giant is a grumpy, uncooperative being who cherishes his peace and will not tolerate disruptions; when a group of children discover the garden to his castle and begin their plays in this new place, the Giant quickly puts an end to this interference to his blissful existence.
Oscar Wilde's short story paints a picturesque, fairy-tale-like image by using imaginative descriptions, allowing childlike imaginations to envision the beauty and excitement of an isolated garden full of magical secrets to uncover (sort of like the world of Frances Hodgson Burnett's secret garden if it belonged to Ebenezer Scrooge).
With his child-like prose, Wilde's story quickly distinguishes itself from his more prominent full-length novels that often dealt with the moral abysses of humanity, instead opting for a much more hopeful portrayal of positivity in a morality tale written for children about the magnitude of vanity and self-centeredness of humans (represented by the central character being a giant, of course).
What might come as the biggest surprise of The Selfish Giant is the ending, however. I do not want to spoil anything here, but if the almost childish writing made you doubt whether it was indeed an Oscar Wilde story you were reading, the final conclusion is what undoubtedly gives this story its memorable touch and ensures that it will continue to linger in the minds of its readers.
Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter....more
What would you do to gain eternal youth, to be beautiful and young and highly respected forever and ever? In the first instance, you should think longWhat would you do to gain eternal youth, to be beautiful and young and highly respected forever and ever? In the first instance, you should think long and longer about such a yearning, because in the end, it is not external beauty which counts ... it is the beauty of your soul. A lesson Dorian Gray has to learn in one of the most gruesome ways you could imagine.
"The Picture of Dorian Gray" is an absolute masterpiece, which is a compliment I rarely pay a book. Oscar Wilde can easily be considered to be a genius, which is why I included a few whole bunch of interesting quotes at the end of the review which provoke the reader to think about the story. The plot itself is probably well-known: the young man longing for eternal youth and paying a horrible price for his desires. In the context of modern literature, Wilde's novel is considered to be a classic and therefore often connected with long-winded plots lacking tension and pace. Both tension and pace are aspects you might be surprised to find in this novel. Not only is the writing eloquent and elegant, but also inciting you to continue reading page for page for page.
Authors like Charles Dickens or Alexandre Dumas come to mind when talking of elongated novels with a lot of details which only add to atmosphere, not to plot itself, and Oscar Wilde could certainly have followed their paths ... but he didn't. Instead, he was able to create atmosphere out of his plot elements, to create plot twists out of the novel's atmosphere, to draw breathing characters and let them decide where the story heads. And he did so on a comparatively small amount of pages; not a single word felt redundant or out of place.
It is nearly impossible to talk of this novel without revealing some of the plot elements (a lot of which surprised me out of nowhere and had me on the edge of my seat - it may be surprising to admit, but this classic novel was way more suspenseful than an Agatha Christie novel or a James Bond spy thriller - at least in comparison to those I have read). A lot of different characters were introduced during the course of the story: Basil Hallward, the painter of the portrait and infatuated with Dorian; Henry Wotton, an imperious aristocrat and friend of both Basil and Dorian; Sibyl Vane, a singer and actress Dorian falls in love with; James Vane, Sibyl's brother; and others among them. None of them appeared to be likeable (although I did feel sympathy for Basil), but they appeared to be realistic with their all too human longings and wrong decisions.
Here follows a compilation of quotes I bookmarked during my reading experience because of their interesting background, their depth or the simple beauty of their words: (And yes, I did bookmark nearly half the book.)
"[f]or there is only one thing in the world worse than being talked about, and that is not being talked about."
"Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for."
"The only way to get rid of temptation is to yield to it."
"Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul."
"You know more than you think you know, just as you know less than you want to know."
"Nowadays people know the price of everything and the value of nothing."
"Young men want to be faithful, and are not; old men want to be faithless, and cannot."
"Experience was of no ethical value. It was merely the name men gave to their mistakes."
"We are not sent into the world to air our moral prejudices. I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality selects is absolutely delightful to me."
"Pleasure is Nature's test, her sign of approval. When we are happy, we are always good, but when we are good, we are not always happy."
"[w]e live in an age when unnecessary things are our only necessities;"
"There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution."
"The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them."
"[n]o theory of life seemed to him to be of any importance compared with life itself."
"Sin is a thing that writes itself across a man's face. It cannot be concealed."
"Scepticism is the beginning of faith."
"In the common world of fact the wicked were not punished, nor the good rewarded."
"As for omens, there is no such thing as an omen. Destiny does not send us heralds. She is too wise or too cruel for that."
"I have no terror of death. It is the coming of death that terrifies me. Its monstrous wings seem to wheel in the leaden air around me."
"Death is the only thing that ever terrifies me. I hate it." "Why?" said the younger man wearily. "Because," said Lord Henry, [...] "one can survive everything nowadays except that."
"The tragedy of old age is not that one is old, but that one is young."
Fabian {Councillor}
>
Books:
oscar-wilde
(10)
Loading...
