Eleanor's Reviews > A Little Life
A Little Life
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I was somehow reminded of a line from that great 1950s film "All About Eve": when Eve was telling a horrified group about all the terrible things that had happened to her, Birdie's response was "What a story! Everything but the bloodhounds snapping' at her rear end."
Despite all the reviews saying how wonderful, moving and generally fantastic this book was, I thought it was horribly manipulative in the way it drip-fed titbits of information about Jude's terrible abuse, so that the reader was left wanting to know more.
I do not deny for a moment that there are people like Jude who struggle to live with terrible things that were done to them in their childhood. But I'm a bit doubtful that a person who is such a psychological mess would also be a terrific hot-shot lawyer, and so brilliant that he did a Master's degree in Pure Maths just for the heck of it. Of course he's brilliant at everything else too: a wonderful pianist who (apparently without ever needing to practise) sits down at his piano and tosses off Bach Partitas or Schumann's Fantasy in C. If he could play things like that, he was no slouch as a pianist. (If you are interested, here it is, played by Yevgeny Kissin: https://www.youtube.com/watch?v=IDlft... )
He can sing beautifully, he can cook wonderfully, and despite being full of self-loathing, he somehow manages to have everyone who knows him love him to bits. Really?
And then there's the fact that the book covers several decades. We are told from time to time that someone was now 40, or 48 or 52, but none of them seemed to change and learn. There is quite a large cast of characters, but nearly all of them are just names: people coming to a birthday dinner or going to an art exhibition. And they are all so self-absorbed that we have no idea of the outside world at all. Even cataclysmic events such as 9/11 get no mention, despite the fact that they all live in New York. Apparently they didn't notice.
Jude and his three close friends (why are they friends by the way - just because they roomed together at college apparently) are all stunningly successful. An acclaimed artist, who seems to keep on churning out the same paintings of his friends (done from photographs) over the decades; an actor who becomes a famous star without any difficulty at all it seems; and a brilliant architect designing houses, museums and who knows what in America and overseas.
I feel I'm being extremely generous in giving this book two stars. I only kept reading it to see if it got better or more plausible. It didn't.
Despite all the reviews saying how wonderful, moving and generally fantastic this book was, I thought it was horribly manipulative in the way it drip-fed titbits of information about Jude's terrible abuse, so that the reader was left wanting to know more.
I do not deny for a moment that there are people like Jude who struggle to live with terrible things that were done to them in their childhood. But I'm a bit doubtful that a person who is such a psychological mess would also be a terrific hot-shot lawyer, and so brilliant that he did a Master's degree in Pure Maths just for the heck of it. Of course he's brilliant at everything else too: a wonderful pianist who (apparently without ever needing to practise) sits down at his piano and tosses off Bach Partitas or Schumann's Fantasy in C. If he could play things like that, he was no slouch as a pianist. (If you are interested, here it is, played by Yevgeny Kissin: https://www.youtube.com/watch?v=IDlft... )
He can sing beautifully, he can cook wonderfully, and despite being full of self-loathing, he somehow manages to have everyone who knows him love him to bits. Really?
And then there's the fact that the book covers several decades. We are told from time to time that someone was now 40, or 48 or 52, but none of them seemed to change and learn. There is quite a large cast of characters, but nearly all of them are just names: people coming to a birthday dinner or going to an art exhibition. And they are all so self-absorbed that we have no idea of the outside world at all. Even cataclysmic events such as 9/11 get no mention, despite the fact that they all live in New York. Apparently they didn't notice.
Jude and his three close friends (why are they friends by the way - just because they roomed together at college apparently) are all stunningly successful. An acclaimed artist, who seems to keep on churning out the same paintings of his friends (done from photographs) over the decades; an actor who becomes a famous star without any difficulty at all it seems; and a brilliant architect designing houses, museums and who knows what in America and overseas.
I feel I'm being extremely generous in giving this book two stars. I only kept reading it to see if it got better or more plausible. It didn't.
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Reading Progress
January 26, 2017
–
Started Reading
January 26, 2017
– Shelved
February 6, 2017
– Shelved as:
2017-books
February 6, 2017
– Shelved as:
other-fiction
February 6, 2017
–
Finished Reading
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Feb 06, 2017 09:00AM
Great review Eleanor. I suppose you should've fastened your seatbelt before reading this one. :D
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sun surfer wrote: "Great review Eleanor. I suppose you should've fastened your seatbelt before reading this one. :D"
Yes, definitely a bumpy night or ten! I really cannot understand all the hype. One GR reviewer hit the nail on the head by describing it as "misery porn".
Yes, definitely a bumpy night or ten! I really cannot understand all the hype. One GR reviewer hit the nail on the head by describing it as "misery porn".
Hi Eleanor - Thank you for the Schumann/Kissen performance. It made my morning! I'm glad I reread your review, I was uncertain as to who to thank for such a pleasant surprise.
We had Kissen once at the symphony where I use to work. I remember he was the only soloist that insisted upon closed rehearsals, I think his mother use to beat him while he practiced....
Though I am a huge fan of keyboard music, and a big fan of Robert Schumann I can't say for sure that I recognized the Fantasy in C.
I went to check my old Schwann catalogue only to discover the pertinent page had been savaged by dogs, many years ago....
So I'm still not sure? But I did enjoy it very much. It was a rather idiosyncratic visual recording, but it was fun! I'm going to play it again! Right now! - )
We had Kissen once at the symphony where I use to work. I remember he was the only soloist that insisted upon closed rehearsals, I think his mother use to beat him while he practiced....
Though I am a huge fan of keyboard music, and a big fan of Robert Schumann I can't say for sure that I recognized the Fantasy in C.
I went to check my old Schwann catalogue only to discover the pertinent page had been savaged by dogs, many years ago....
So I'm still not sure? But I did enjoy it very much. It was a rather idiosyncratic visual recording, but it was fun! I'm going to play it again! Right now! - )
Mark wrote: "Hi Eleanor - Thank you for the Schumann/Kissen performance. It made my morning! I'm glad I reread your review, I was uncertain as to who to thank for such a pleasant surprise.
We had Kissen once at..."
Glad you enjoyed it so much Mark. I have a CD of Alfred Brendel playing it, but couldn't find him on You Tube. It's a beautiful work, and certainly not one that could be tossed off by someone who didn't put in a lot of time practising!
We had Kissen once at..."
Glad you enjoyed it so much Mark. I have a CD of Alfred Brendel playing it, but couldn't find him on You Tube. It's a beautiful work, and certainly not one that could be tossed off by someone who didn't put in a lot of time practising!
Oh, Yes! It is a very complex piece. And, Yes! I really do love old Alfred too! My first complete Beethoven was/is old Brendel lps.
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Yes it’s true, Jude is completely unrealistic in his brilliance. I haven’t had half the childhood trauma he went through and I still haven’t achieved anything in life anywhere near what he does either work or relationships