Katy Chessum-Rice

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Gaudy Night
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Reading for the 2nd time
read in September 2024
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  (page 216 of 576)
Sep 28, 2024 01:38AM

 
The Burnout
Katy Chessum-Rice is currently reading
by Sophie Kinsella (Goodreads Author)
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  (page 298 of 403)
Sep 25, 2024 02:10PM

 
When the Dust Set...
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  (page 161 of 304)
Sep 20, 2024 09:15AM

 
See all 4 books that Katy is reading…
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Jodie Chapman
“He sighed. 'It would be good to bring in some younger blood. We need to diversify. I'd like to send someone out to pitch to the bigger companies, and... don't take this the wrong way, Isobel, but you're more suited to a background role.'
She said nothing, but overdid his gravy.”
Jodie Chapman, Oh, Sister

Meg Mason
“Martha,” he said afterwards, lying next to me. “Everything is broken and messed up and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.” That is what life was, and how it continued for three years after that. The ratios changing on their own, broken, completely fine, a holiday, a leaking pipe, new sheets, happy birthday, a technician between nine and three, a bird flew into the window, I want to die, please, I can’t breathe, I think it’s a lunch thing, I love you, I can’t do this anymore, both of us thinking it would be like that forever.”
Meg Mason, Sorrow and Bliss

Ali Smith
“Things can change over time, what looks fixed and pinned and closed in a life can change and open, and what’s unthinkable and impossible at one time will easily be possible in another.”
Ali Smith, Spring

“If I’d had a career, I could change jobs, apply for a promotion, do something. If I’d stayed in New York, I could have had it all, couldn’t I? But I am a Japanese Housewife, a proper, old-school job for life, and you only get to choose your colleague once.”
Emily Itami, Fault Lines

Jeanette Winterson
“At present, computers are spectacular at number crunching and data processing. We can code programmes that feel as though computers are interacting with us, and that's fun, but in fact they aren't interacting in a way that we expect a human being to interact. But what will happen when a programme that has self-developed, that has its own version of what we call consciousness - realises, in the human sense of the verb 'to realise', exactly what/who is on the other side of the screen?”
Jeanette Winterson, Frankissstein: A Love Story

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